{"title":"Electronic","description":"","products":[{"product_id":"my-heart-an-inverted-flame-plague-notes","title":"My Heart, an Inverted Flame - Plague Notes, Unnamed, Unknown, A Finger Dragged Through Dust","description":"\u003cp\u003eAVAILABLE ON \u003cem\u003e\u003cstrong\u003eTHREE\u003c\/strong\u003e FORMATS:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDouble LP debut from San Francisco's 𝗠𝘆 𝗛𝗲𝗮𝗿𝘁, 𝗮𝗻 𝗜𝗻𝘃𝗲𝗿𝘁𝗲𝗱 𝗙𝗹𝗮𝗺𝗲 𝘗𝘭𝘢𝘨𝘶𝘦 𝘕𝘰𝘵𝘦𝘴, 𝘜𝘯𝘯𝘢𝘮𝘦𝘥, 𝘜𝘯𝘬𝘯𝘰𝘸𝘯, 𝘈 𝘍𝘪𝘯𝘨𝘦𝘳 𝘋𝘳𝘢𝘨𝘨𝘦𝘥 𝘛𝘩𝘳𝘰𝘶𝘨𝘩 𝘋𝘶𝘴𝘵 Edition of 300 on black vinyl, black sleeves, double-sided print insert includes download printed by Precision (Canada)\u003c\/p\u003e\n\u003cp\u003eDBA254 cassette version Limited to 100 copies. Packaged in U-Card artwork with Obi Strip. comes with a DL card. \u003cspan\u003ePackaged in U-Card artwork with Obi Strip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003elimited quantity CD format on tUMULt! bonkers cool DVD style packaging!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"shopify-section\" id=\"shopify-section-product-template\"\u003e\n\u003cdiv data-ajax-enabled=\"true\" data-enable-history-state=\"true\" data-section-type=\"product\" data-section-id=\"product-template\" id=\"ProductSection-product-template\" class=\"product-template__container page-width\"\u003e\n\u003cdiv class=\"grid product-single product-single--medium-media\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eart damaged, cinematic synth-doom a sprawling expanse of ephemeral, ethereal heaviness and mathy, motorik crush\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eWe go a ways back with this duo from their previous projects (A Minor Forest, Common Eider, King Eider, I Am Spoonbender, Never Knows) and are pleased to be working with our old friends at Deathbomb Arc and tUMULt on this release. Drone doom sans guitars; just synth, drums, and very buried vocals spread across four sides. \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"It's Stars of the Lid with a bad fucking attitude\" - THE WIRE\u003c\/i\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"2LP","offer_id":45959129202855,"sku":"zum036","price":30.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":45959129235623,"sku":"tumult","price":12.0,"currency_code":"USD","in_stock":true},{"title":"cassette","offer_id":45959129268391,"sku":"DBA254","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/mhaif_pn_1500_screenshot.png?v=1618775191"},{"product_id":"neil-campbell-robert-horton-trojandropper-lp","title":"Neil Campbell and Robert Horton - Trojandropper LP","description":"\u003cp\u003eNeil Campbell \u0026amp; Robert Horton- Trojandropper (Zum033)\u003c\/p\u003e\n\u003cp\u003e33 1\/3 LP\u003c\/p\u003e\n\u003cp\u003eedition of 440\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDOWNLOAD CODE INCLUDED\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e‎\u003ci\u003e\"it's very strange music, delightfully strange...the artwork is weird, the music is weird.\" - DJ\/rupture\u003c\/i\u003e \u003ci\u003e\"what I wish My Life in the Bush of Ghosts actually sounded like\" - Larry Dolman, Blastitude\u003c\/i\u003e \u003ci\u003e\"The results throb with a skewed tension\" - Pitchfork\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e(\u003ca href=\"http:\/\/www.imposemagazine.com\/bytes\/neil-campbell-and-robert-horton-trojandropper\"\u003e Bonus track for download on the Impose website\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp\u003eNeil Campbell, a long-time player in the UK noise underground, is known for his \u003ca href=\"http:\/\/zum.bigcartel.com\/artist\/neil-campbell-astral-social-club\"\u003eAstral Social Club\u003c\/a\u003e solo project and as a member of Vibracathedral Orchestra. Robert Horton got his start in 1979 in the San Francisco punk-noise act The Appliances and the eclectic Plateau Ensemble. After a musical hiatus he returned in the '00s collaborating often with Tom Carter, Loren Chasse, and members of Yellow Swans, as well as releasing solo material under his own name and the moniker of egghatcher.\u003c\/p\u003e\n\u003cp\u003eAlthough Campbell and Horton never met in person, they were both on the Jeweled Antler mailing list. Both musicians are ridiculously prolific and prone to collaboration and they got to talking disco. Campbell says, \"Robert TOLD me in an email 'one day we'll make a disco record together'... who was I to argue?\" As far as the end result being disco, Horton notes \"we failed at that.\" \"It was a good idea,\" writes Campbell, \"but you're also correct to draw attention to the missing of original target, which I really like - nothing better than the happy accident.\" Horton continues, \"collaborations are about being surprised and this one did that often. Just when I thought I knew where it was going it went somewhere else. We still have it in our future plans to make a dance record. '70s retro disco with a serious virus inside that causes it to bleed drones.\" Guest musicians on the album include Dan Plonsey and Hal Hughes (Horton's Plateau Ensemble bandmate). The title references the infamous Trojandropper virus that infected Horton's computer, eliminating many hours of work and files. The resulting album that had to be pieced back together is something that mixes organic, almost crystalline drones with off kilter beat patterns and lopsided techno. \"Trojandropper\" is beatific, odd, and an anomaly to even its creators, like all projects that take on a life of their own.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eRobert Horton: bass, beats, boot, casio fz-1 sampler, CDs, computer, edits, filters, harmonica, loops, percussion, piano, shenai, tapes, trumpet, turntable, harmonium\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e Neil Campbell: acoustic guitar, bliptronic 5000, casios, computer, edits, effects, electric guitar, kaossilator, loops, weevils Dan Plonsey: Soprano sax on “Slush Flotsam Bunny”\u003c\/i\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709063839911,"sku":"zum033","price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/1b75e130e5ad11e1a78c12313804ce91_7.jpg?v=1618775192"},{"product_id":"chen-santa-maria-7","title":"Chen Santa Maria - Jefferson Chopper 7\"","description":"\u003cp\u003eCHEN SANTA MARIA\u003c\/p\u003e\n\u003cp\u003eJefferson Chopper\/Great Society 7\"\u003c\/p\u003e\n\u003cp\u003ezum030\/333-007\u003c\/p\u003e\n\u003cp\u003enumbered green 1 through 49\u003c\/p\u003e\n\u003cp\u003enumbered orange 50 through 109\u003c\/p\u003e\n\u003cp\u003eThe duo of George Chen and Steven Santa Maria document another phase in their collaboration of improvised sonic experiments. This co-release with 333 (7\" single series that has worked with Deerhoof, Girltalk, Crack: We Are Rock) captures the band playing with rhythmic elements recorded with Brian Tester (Bulbs, Triangle) in pastoral Berkeley, CA. The pedals and effects used for this recording were stolen shortly afterward so this is the last of this type of sound, not by choice but necessity. \u003c\/p\u003e\n\u003cp\u003eThey toured Europe and UK in Spring 2010 (opening for Mount Eerie, High Places, Talk Normal, and Weasel Walter).\u003c\/p\u003e\n\u003cp\u003eNumbered edition of 250.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"The surprise of the evening was Chen Santa Maria who hail from Oakland, CA (Oaktown represent!).  With just a suitcase-encased synth, a drum machine, guitar and bass, Chen Santa Maria put on a set that was somewhere between Black Dice, Best Coast and Keith Fullerton Whitman.  If that means nothing to you, their set began with some synth and guitar loop doodles, that progressively became more composed and rhythmic.  Gradually it became fuzzier and fuzzier and ended up with an occasional 4\/4 beat.  While noise music can sometimes be very ‘in your face’ and\/or annoying (read for: tapped out modes of confrontation), Chen Santa Maria created a thoughtful space that allowed the listener to enter slowly and with pleasure.\" -Carpe Berlin\u003c\/i\u003e \u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709063970983,"sku":"zum030","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/csm333.jpg?v=1618775198"},{"product_id":"core-of-the-coalman-box-of-the-last-help-cd","title":"Core Of The Coalman - Box Of The Last Help CD","description":"\u003cp\u003eCore Of The Coalman Box Of The Last Help\u003c\/p\u003e\n\u003cp\u003ezum027 CD\u003c\/p\u003e\n\u003cp\u003eEpic recording from Jorge Boehringer documents his work with pattern music made with viola, electronics, and acoustic guitar. Current Prague resident Boehringer has performed under the moniker Core of the Coalman since 2004. Based in the Bay Area for most of the '00s, Boehringer would play everything from Noise Pancakes and gritty warehouses to Sf Sound Ensemble shows. His recorded resume includes the \"End Grain\/Spirograph\" CDR (an unofficial Zum release), \"Anxiety\" on Resipiscent, and \"Aggregate and Crackle\" on Dylan Nyoukis' Chocolate Monk label. In addition to intensive touring of Europe and the UK (and appearing at Nyoukis' Colour Out Of Space Festival, opening for Deerhoof, etc), Boehringer has worked on theater sound design and in more \"conventional\" rock band formations (US Out Of Our Uterus, Treehugger, Brown Bunny Ensemble, Commode Minstrels in Bullface).\u003c\/p\u003e\n\u003cp\u003e\"Box Of The Last Help\" (the Czech term for a First Aid kit) works with extended repititions that bring to mind Steve Reich tape experiments. Microtonal shifts occur and can be unsettling, nausea inducing, and relentlessly pretty all at once. Those familiar with his live sets may know these pieces, but to be taken as a whole, the album stands alone as a documentation of but one move in an overflowing sonic toolbag.\u003c\/p\u003e\n\u003cp\u003eEdition of 500 CDs with cover artwork made at Portland's Stumptown Printing.\u003c\/p\u003e\n\n\u003cp\u003e1. Inertia II\u003c\/p\u003e\n\u003cp\u003e2. Inertia I\u003c\/p\u003e\n\u003cp\u003e3. Last Help (Prelude)\u003c\/p\u003e\n\u003cp\u003e4. Last Help \u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709064036519,"sku":"zum027","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/4789917705_42eff4c551.jpg?v=1618775200"},{"product_id":"mincemeat-or-tenspeed-strange-gods-cd","title":"Mincemeat Or Tenspeed - Strange Gods CD","description":"\u003cp\u003e\u003ci\u003e\"I am absolutely loving the Mincemeat or Tenspeed ‘Green Velvet piercing Genesis P-Orridge’s face with poison switchblades’, but then how would I not?\" 20jazzfunkgreats\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eZum028 CD\u003c\/p\u003e\n\u003cp\u003eMincemeat Or Tenspeed - Strange Gods \u003ciframe width=\"420\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/-j4inI_3Rew\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cobject height=\"18\" width=\"100%\"\u003e \u003cparam name=\"movie\" value=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F59893307\u0026amp;auto_play=false\u0026amp;player_type=tiny\u0026amp;font=Arial\u0026amp;color=5800ff\"\u003e \u003cparam name=\"allowscriptaccess\" value=\"always\"\u003e \u003cparam name=\"wmode\" value=\"transparent\"\u003e\n\u003cembed wmode=\"transparent\" allowscriptaccess=\"always\" height=\"18\" src=\"https:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F59893307\u0026amp;auto_play=false\u0026amp;player_type=tiny\u0026amp;font=Arial\u0026amp;color=5800ff\" type=\"application\/x-shockwave-flash\" width=\"100%\"\u003e\u003c\/object\u003e \u003ci\u003e\"No synthesizers, samplers, sequencers, drum machines, computers, musical instruments.\" The liner notes for \"Strange Gods.\" \u003c\/i\u003e Using solely effects pedals and a mixer, Harms started Mincemeat Or Tenspeed as a recording project that became a live entity in 2006. An initial attempt to learn guitar lead to a deeper interest in effects pedals to the point that the instrument was shunted altogether. The sound of the pedals themselves took precedence and Harms began making rhythmic and melodic adjustments out of a feedback circuit. Labor-intensive trial and error lead to a compositional approach that feels like pure improvisation. The essence of this music is partly its means of production, though in a live setting the rhythmic throb has started plenty of moshpits. Having toured with modern music weirdos like Social Junk, Foot Village, and Drums Like Machine Guns (with whom he shares a split 12\") and shared stages with Black Dice, Gang Gang Dance, Extreme Animals, and USAISAMONSTER over the past few years, Harms imbues Mincemeat Or Tenspeed with a hardcore work ethic that's earned him a cult following (Dan Deacon is a supporter and has booked Harms at Whartscape three years running). \"Strange Gods\" is an evolution of sorts, letting the tones ride our more than previous efforts, a continuation of a process begun with records like the \"All Critters\" 12\" (Deathbomb Arc), or this year's double CDR \"Manifest Wizard.\" As the first \"official\" Mincemeat Or Tenspeed CD release, the seven (and a half) tracks here set the bar for \"maximal minimalism\", post-apocalyptic chirps and whirrs shifting and coalescing, cresting and searching for catharsis where none may be coming. Reminiscent of \"a smart ass take on Steve Reich\" (Z Gun) or even the synth-scuzz of Mr. Brinkman, Mincemeat Or Tenspeed is keeping it real whilst making experimental music accessible by virtue of its simplicity. Album artwork by Mark Price, edition of 1000 CDs, full color jewel case.\u003c\/p\u003e\n\u003cp\u003e\"Mincemeat Or Tenspeed’s live show seem to comprise of two equal parts, amazing skill and chaotic chance, which team together to create fascinating soundscapes.\" - Jason Glastetter, CMJ Blog\u003c\/p\u003e\n\u003cp\u003e\"Mincemeat or Tenspeed at first come off as a smart ass take on Steven Reich. However, as the needle grooves through, Mincemeat builds on the riff, shatters some rhythms, and shifts into new hooks. This is loud minimalism and full of all kinds of great ideas.\" - Scott Soriano, Z GUN\u003c\/p\u003e\n\u003cp\u003eStrange Gods Track Listing\u003c\/p\u003e\n\u003cp\u003e1. Hulot\u003c\/p\u003e\n\u003cp\u003e2. Furious Styles\u003c\/p\u003e\n\u003cp\u003e3. Throw Hands\u003c\/p\u003e\n\u003cp\u003e4. Infinite Girlfriend\u003c\/p\u003e\n\u003cp\u003e5. Points and Lines\u003c\/p\u003e\n\u003cp\u003e6. Strange Gods\u003c\/p\u003e\n\u003cp\u003e7. Padre Island (Colonization)\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709064069287,"sku":"Zum028","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/MMOTS_frontcover.jpg?v=1618775202"},{"product_id":"suzanne-ciani-music-for-denali-lp","title":"Suzanne Ciani - Music For Denali LP","description":"\u003cp\u003eFinders Keepers FKR 106LP\u003c\/p\u003e\n\u003cp\u003eFinders Keepers' continued and unwaning commitment to preserving the archives of composer Suzanne Ciani pays off in an avalanche of dividends with this latest master tape discovery, placing further markers in the historical development of electronic music and cinematic composition. Developed at a lesser-documented axis combining Ciani's key disciplines as a revolutionary synthesist and an accomplished pianist, these early works from 1973 capture a rare glimpse of one of the world's most important electronic music figures embarking on the early throes of a fruitful career as a film composer and sound designer with this rare and previously unheard documentary music illustrating the first-ever skiers' decent from the peak of the tallest mountain in Alaska. Capturing innocence and optimism in its composition, but never less than masterful in its realization, Denali takes what would later become the yin and yang in Ciani's versatile musical personality and provides unrivalled vistas from both side of the mountain, scaling a treacherous and fine creative line. The music on this record was also commissioned two years before Suzanne's first Buchla concerts in 1974 and 1975, which were accompanied by her seminal National Endowment Paper, and would reveal Suzanne's proud commitment to the developed Buchla instrument. After hearing this record, it will come as little surprise that the track known as \"Ski Song\" would later be re-appropriated (and rerecorded) on Ciani's globally critically acclaimed debut album Seven Waves (EGGS 015CD). It stands as testimony to the composer's determination and inventive nature that this single track, which would later make its way on to every future music best-seller list in the country, was originally composed on just piano and the modular synth model which she had helped to assemble on Buchla's production line ten years before her Tokyo debut. \"Denali was composed using just Buchla and piano,\" explains Suzanne in 2020. \"It was recorded at Rainbow Recording, which is the studio I found and shared with recording engineer Richard Beggs, who then sold it to Francis Ford Coppola after I fell in love and quickly moved to LA,\" she laments. Instead, Suzanne would in a short time find her filmic feet in Hollywood (providing sound design for Michael Small's aforementioned The Stepford Wives soundtrack) which would later lead to her winning the accolade of first female film composer to single-handedly record a major motion picture with The Incredible Shrinking Woman in 1982. But it was ten years earlier with Denali that the ball had started rolling alongside the film reel sprockets at Rainbow Recordings.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":39709066428583,"sku":"FKR 106LP","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/FKR106LP_CU.jpg?v=1618775240"},{"product_id":"sarah-davachi-gave-in-rest-lp","title":"Sarah Davachi - Gave In Rest LP","description":"\u003cp\u003eBING 137LP\u003c\/p\u003e\n\u003cp\u003e\"Sarah Davachi has quickly risen in prominence since her first release five years ago, and Gave In Rest represents her highest artistic achievement. By infusing her compositional style within a predilection for medieval and Renaissance music, Davachi unearths a new realm of musical reverence, creating works both contemplative and beatific, eerie yet essentially human. Gave In Rest is a modern reading of early music, reforming sacred and secular sentiments to fit her purview and provide an exciting new way to hear the sounds that exist around us. Between January and September of 2017, Sarah Davachi lived in flux; storing her belongings in Vancouver, she spent the summer in Europe, occasionally performing in churches and lapidariums and seeking respite from her transitional state while surrounded by such storied history. This latest album echoes that emotional state of solitude and ephemerality, reaching towards familiar musical landscapes but from oblique perspectives. 'I named each track after a particular time of day as a way of expressing my experiencing different moments of quietude, how morning and night are both independent and interconnected entities in this regard,' she says. Her titles evoke canonical phrases referring to morning or evening prayers, as well as Latin and German phrasings for metaphors about the time of day. 'From my perspective, there is a lot of loneliness on this record, and I think it is as much about beginnings as endings,' she continues. 'In a way, it's about the prospect of the unknown as it manifests alongside a very inward form of grieving - really the essence of what constitutes a period of transition.' Davachi has mined a bottomless landscape where listeners can witness music's participation in their solitudes. Gave In Rest lends a voice to her personal exploration with a firm, intuitive stance.\u003c\/p\u003e","brand":"Ba Da Bing","offers":[{"title":"Default Title","offer_id":39709066887335,"sku":"BING 137LP","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/BING137LP_CU.jpg?v=1618775241"},{"product_id":"profligate-somewhere-else-lp","title":"Profligate - Somewhere Else LP","description":"Wharf Cat Records LP\r\nPROFLIGATE’S FIRST LP SINCE 2014, SOMEWHERE ELSE DEFTLY BALANCES SEEMING OPPOSITES – CHAOS AND COMPOSITION, MELODY AND NOISE, PROGRAMMED AND LIVE INSTRUMENTATION, ALL WITH A DISTINCTLY HUMAN TOUCH. MASTERED BY CARL SAFF\r\n\r\nNOAH ANTHONY’S MUSIC RANGES FROM HEAVILY RHYTHMIC ELECTRONICS TO TIGHTLY COMPOSED SONGS. PROFLIGATE HAS TOURED THE U.S. AND EUROPE RECEIVING ACCLAIM FOR RECORDINGS AND VISCERAL LIVE PERFORMANCES. OVER THE SUMMER OF 2016 PROFLIGATE BEGAN OPERATING AS A DUO FEATURING L.A. POET\/MUSICIAN ELAINE KAHN ON ADDITIONAL VOCALS AND INSTRUMENTATION. THE SOMEWHERE ELSE LP FEATURES TRACKS THEY WORKED ON TOGETHER AS WELL AS SOLO WORK FROM ANTHONY. ","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709067083943,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/prof.jpg?v=1618775242"},{"product_id":"the-tenses-howard-lp","title":"The Tenses - Howard LP","description":"\u003cp\u003eTENSES - Howard LP\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLimited edition of 300 copies\u003c\/p\u003e\n\u003cp\u003eThe Tenses is a duo comprised of Ju Suk Reet Meate and Jackie Oblivia, two veterans of the weirdo art collective that is known as theLos Angeles Free Music Society. They also form the core of legendary experimental juggernaut Smegma. The LAFMS have been a singular force in DIY culture ever since the early seventies and encapsuled an endless string of projects and bands that married a sort of proto-punk with trashy guitars, avant-garde music, tape manipulations, free jazz, improv and absurd vocalizations into a hyper original and singular form of music. They're seen by many as the originators of noise music, and have been an immense influence on bands like Sun City Girls, Merzbow, Wolf Eyes, No Neck Blues Band, etc… The Tenses is one of the latest vessels for Ju Suk and Jackie to explore the outer realms of sound and space. Compared to the mothership that is Smegma, it is a more compact and intimate project where turntables, tape collages, distorted surf guitar and coronet are used to create elaborate, haunted atmospheres. After releases on Harbinger Sound and their own Pigface Records, The Tenses now add another chapter to their history with 'Howard', their new LP on Belgian imprint audioMER. 'Howard' is a mind expanding tour de force that scrambles spoken word deconstructions and spontaneous freak outs into a musical non-sequitur; a strange and disorienting trip. Loops of voices from long lost instruction movies, shortwave radio dramas that get overrun with sirens, various non-instrumental sounds, and an bewildering stretch of Link Wray-like guitar riffs; 'Howard' is a record that oozes paranoia, the perfect soundtrack for making explosives in your basement.\u003c\/p\u003e\n\u003cp\u003eA1. Howard (3:42)\u003c\/p\u003e\n\u003cp\u003eA2. Burn (6:57)\u003c\/p\u003e\n\u003cp\u003eA3. Dream (6:08)\u003c\/p\u003e\n\u003cp\u003eB. Relax (18:22) \u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":42613056077991,"sku":"","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-5171059-1393674366-9561.jpg?v=1618775250"},{"product_id":"heatsick-intersex-lp","title":"Heatsick - Intersex LP","description":"\u003cp\u003ePAN 19 Heatsick Intersex LP\u003c\/p\u003e\n\u003cp\u003eWhite Vinyl 2013 reissue\u003c\/p\u003e\n\u003cp\u003eIntersex is the debut LP by Steven Warwick a.k.a Heatsick. The title references the work of German sexologist Magnus Hirschfeld looking at how music and sexuality can operate in flux on a constantly sliding scale. Executed on just a Casio keyboard and manipulated loops via guitar pedals, Intersex deliberately evokes “ersatz” notions of electronic dance music and early electronics in the line of Roberto Cacciapaglia’s Ann Steel record , the work of Warner Jepson and the kaleidoscopic sound of Ron Hardy, pushing dance\/body music through a saturated psychedelic lens. Steven Warwick is a Berlin based performer, also known for his work in the electronic duo, Birds of Delay. His approach is one of carefully thought out loops which are then sent into varying interactions and play. Active in the club, art and music scenes, Warwick’s work is one existing in a liminal space, meditating both at once in real time and the “just past”. The Lp is mastered and cut by Rashad Becker at D\u0026amp;M, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened pvc sleeve with artwork by Steven Warwick, Kathryn Politis \u0026amp; Bill Kouligas.\u003c\/p\u003e","brand":"PAN","offers":[{"title":"Default Title","offer_id":39709067935911,"sku":"PAN 19","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-5234315-1390157992-8638_jpeg.jpg?v=1618775250"},{"product_id":"sean-mccann-matthew-sullivan-vanity-fair-lp","title":"Sean McCann \u0026 Matthew Sullivan - Vanity Fair LP","description":" we have Recital’s inaugural release, “Vanity Fair,” Sean McCann \u0026amp; Matthew Sullivan’s debut collaboration album. A fitting introduction to the ethos of Recital; the desire to turn a new page, to more accurately project what is significant and engaging in contemporary music. \r\n\r\nMatt and I had often talked about collaborating, as our musical understandings and interests align. Both drawn to minimalism and graceful ambience, we would trade tidbits and slivers of ideas casually over coffee or wine. For the better part of a year, we procrastinated our theoretical project, which in retrospect allowed our ideas to ferment. So when it actually came time to pop the cork and record, everything fell right into place. \r\n\r\nWhat manifested in the studio was lush and enchanting. The pieces are quite varied, and range from the majestic to the tormented, occasionally synthesizing an almost humorous blend of the two. Presenting a manipulated animal and glockenspiel march, a chamber string and glass rhapsody, and a somber harp and phone ballad – it challenges the listener and expresses the development of both acclaimed artists. It is a timeless, refined effort, that both Matt and I are very proud of. \r\n-Sean McCann (Jan. 2012)\r\n\r\nRecorded in 2011 at our house in Highland Park, Los Angeles. \r\nPressing of 560 copies. \r\nof which 115 were the Deluxe Edition on Red Wax\r\n","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":39709068198055,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1963135920_10.jpg?v=1618775258"},{"product_id":"rene-hell-vanilla-call-option-lp","title":"Rene Hell - Vanilla Call Option LP","description":"Jeff Witscher aka Rene Hell is a notoriously unique artist and nomadic SoCal everyman. An avid chess player, he occupies the role of both trickster and aesthete, an embodied example of a time where experimental ideas and attitudes switched fluidly between the club and gallery. Travel is a central theme of his work, with the digital and minimalist palette on Vanilla Call Option built while on the move between airports, performance spaces and public libraries. In his own words, Witscher attempted to construct \"vertical narratives\" that at times evoke the musique concrète of Bernard Parmegiani and probing electronic experiments of Charles Dodge. Rejecting melody to form a new language of timbre, timing and flight, these crisp compositions oscillate between flux and grandeur, piercing synthesis and meditative piano, strings, and voice.","brand":"PAN","offers":[{"title":"Default Title","offer_id":39709068230823,"sku":"","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/133609b.jpg?v=1618775255"},{"product_id":"astral-social-club-super-grease-lp","title":"Astral Social Club - Super Grease LP","description":"\u003cp\u003eAstral Social Club ‎– Super Grease\u003c\/p\u003e\n\u003cp\u003eImportant Records\u003c\/p\u003e\n\u003cp\u003eIMPREC156 LP, Limited Edition of 500, Blue\u003c\/p\u003e\n\u003cp\u003eSuper Grease is a limited edition of 500 vinyl only release from Vibracathedral Orchestra\/Sunroof!\/A Band member Neil Campbell. This is a companion release to Astral Social Club''s Neon Pibroch cd also on Important. Click the lp cover to see the deluxe split\/splatter blue vinyl. Astral Social Club is the current project of Neil Campbell, formerly of Vibracathedral Orchestra, Sunroof!, A Band and many more. Campbell has been active since the early 80s, and The Wire magazine has said that, along with his friends Richard Youngs and Matthew Bower, he \"provided the map co-ordinates for much of what passed for a post-punk UK underground during most of the 80s and 90s\". Campbell''s approach as Astral Social Club could be seen as both a continuation and a refutal of his work with Vibracathedral Orchestra - a continuation in that it continues the quest into the unknown stellar regions of improvised drone-based music, and a refutal in its espousal of most of the elemental organic rock modes that made that band so special. The focus here is more on alien electronics and overloaded loop disorientation, sometimes even working with sounds more readily associated with the far end of dance music to produce a truly vast 21st century psychedelic sound.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":39709068329127,"sku":"","price":17.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-1008990-1375162949-1931.gif?v=1618775244"},{"product_id":"astral-social-club-plug-music-ramoon-lp","title":"Astral Social Club - Plug Music Ramoon LP","description":"\u003cp\u003eAstral Social Club - Plug Music Ramoon LP\u003c\/p\u003e\n\u003cp\u003eDancing Wayang\u003c\/p\u003e\n\u003cp\u003eFeaturing two tracks of fearless sonic bliss and two long journeys to a state of sustained ecstasy Plug Music Ramoon was recorded in one day on analogue 2\" tape. This limited edition LP comes housed in a gorgeous hand-printed silkscreen sleeve, with insert. Sequenced in chronological order on the LP as the tracks were recorded in the studio, the opener 'Flamingo Moon' takes off into outer space. It's a gentle start to the impending Astral chaos as the rambunctious 'Punk Rocker \/ Mug Cracker' noisily propels itself and its passengers forwards. This 14-minute showdown is divided into two parts with the loose, drum-led 'Punk Rocker' submerging into the swooping sonics of the 'Mug Cracker.' Side 2 introduces a playful element into the spiral density with percussive sticks and bells providing a tribal backdrop for resonant electronics, keyboard odysseys and some experimental vocal work from helmsman Neil Campbell. After a wild solar adventure, the album culminates in 'Ramoon Ramoon,' a considered and tight improvisation that steers the Club homeward. Whilst Club member John Clyde-Evans's laptop contributions provide much of the backbone groove of the album, Stewart Keith adds light and shade on a variety of keyboards and toys. But it's Campbell's dense guitars that thicken the very stem of these four tracks and leads his Astral Social Club to conjure up his dreams and visions. Neil Campbell is a stalwart of the UK experimental music scene who began making music in the early 1980s. Originally a member of loose improvisational collective A-Band, he established himself more firmly in the 90s as a founding member of Vibracathedral Orchestra. Campbell utilizes guitars, electronics, vocals and laptop generated and manipulated sounds in his freeform improvisations. In 2005, he embarked on his solo project Astral Social Club often drawing on the talents of kindred spirits. Stewart Keith is a long-time friend and collaborator of Neil Campbell and one of the main members of Nottingham's the A-Band playing free drone and high-energy rock music and championing an un-tutored, elemental and almost primitive approach to music making. John Clyde-Evans, aka Tirath Singh Nirmala, has played with artists such as Richard Youngs and Vibracathedral Orchestra contributing computer generated sounds, electronics and violin.\"\u003c\/p\u003e\n\u003cp\u003eLimited 500 copies, numbered.\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":39709068361895,"sku":"DWR 003LP","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-1789968-1333339838.jpg?v=1618775259"},{"product_id":"gaze-2-cassette","title":"Gaze - 2 cassette","description":"\u003cp\u003eGAZE is: Ned Meiners, Collin McKelvey, and Corey Hucks (members of CCR Headcleaner, Hospitals, Orbless, Cellblock, Body Glove)\u003c\/p\u003e\n\u003cp\u003eTwoThousandTapes ‎– 15 Cassette, EP, C18 2011\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cp\u003eA Back to the Pod\u003c\/p\u003e\n\u003cp\u003eB Robots at the Factory \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HGLi9s-iaFg?start=18\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709068558503,"sku":"","price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/gaze2.jpg?v=1618775261"},{"product_id":"astral-social-club-magic-smile-cd","title":"Astral Social Club - Magic Smile CD","description":"Astral Social Club\r\nMagic Smile \r\nWonder You\r\nCD\r\n\r\n“Magic Smile” is the new pro-pop CD from Astral Social Club, with 7 shiny and splintered new tunes, plus a special remix by Japanese wonder boys Kufuki. These tunes range from the twisting 13 minutes of the opening “Rubber Lagg”, through the succinct plainsong of the title track, to the full-on riot that is “FRWRKZ RWRK”. In places it’s utterly freewheeling and joyous, at others full of fire and anger. No stone is left unthrown. Everyone gets kissed.\r\n\r\n\u003ciframe src=\"https:\/\/embed.spotify.com\/?uri=spotify:album:0xcikhIepbrPFcsxPr2Y09\" width=\"300\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\"\u003e\u003c\/iframe\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709068853415,"sku":"","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/Magic_Smaile_CD.jpg?v=1618775251"},{"product_id":"neil-campbell-sol-powr-cd","title":"Neil Campbell - SOL POWR CD","description":"\u003cp\u003eMusic Mundane\u003c\/p\u003e\n\u003cp\u003e1 Buoy Sounding In The Porth 2:52\u003c\/p\u003e\n\u003cp\u003e2 SOL POWR 10:15\u003c\/p\u003e\n\u003cp\u003e3 Fizzy Gristle 4:16\u003c\/p\u003e\n\u003cp\u003e4 Rolling Exploding 4:20\u003c\/p\u003e\n\u003cp\u003e5 Sky Full Of Love 4:03\u003c\/p\u003e\n\u003cp\u003e6 Fuzzjam \/ Dub 4:19\u003c\/p\u003e\n\u003cp\u003e7 Faint Rainbow Over Mud Field 3:28\u003c\/p\u003e\n\u003cp\u003e8 Middenship 5:22\u003c\/p\u003e\n\u003cp\u003e9 Silver Seat 6:30\u003c\/p\u003e\n\u003cp\u003e10 Scandinavian Disco Connection 4:39\u003c\/p\u003e\n\u003cp\u003eRecorded at home around the start of the millennium. Tracks 1-3 and 7-10 were originally released as a 12\" vinyl on Lal Lal Lal recordings in an edition of 300. Tracks 4 and 5 were released as a 7\" lathe-cut on Gold Soundz in an edition of 40. Track 6 was available for download on techNOH. Thanks to Arttu, Roope, Sindre, Brian, Rob and Jeffrey. Packaged in a jewel case sized cd keep case, with colour cover.\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709069050023,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-1016268-1184414433.jpg?v=1618775253"},{"product_id":"chen-santa-maria-cd","title":"Chen Santa Maria CD","description":"\u003cp\u003eCHEN SANTA MARIA CD gssd076\/Shit On Records004\u003c\/p\u003e\n\u003cp\u003eOakland duo Chen Santa Maria utilizes a mix of samples, drum machines, guitars and effects to hone their varied outputs. Formed in the winter of 2005, the two solo acts (Megaweapon and Fun Santa Maria) were thrust together on a West Coast tour. An ever fluctuating instrumentation and dedication to computer-free improvising has been the only consistent factor since CSM's inception. Buffalo native Steven Santa Maria has made copious CDR noise releases under the names Fun Santa Maria and collaborated with Randy Lee Sutherland in Jah No Dead. George Chen has played in the bands KIT, 7 Year Rabbit Cycle, Boxleitner, Vholtz, Grey Daturas (as touring bassist), Must Have No Magic, and Common Eider King Eider. Having shared stages with pinnacles of rock and noise (Yellow Swans, UsaIsAMonster, Hair Police, The Better To See You With, Evolution Control Committee, Sic Alps, YACHT), CSM have toured West and East Coasts of the United States and plan to continue said campaign for the foreseeable future. The album was recorded in winter of 2006 with Ricardo Esway (Militant Children's Hour, East Bay engineer par excellence) with mastering by Thomas Dimuzio (Gench Studio). Eric Ostrowski (Noggin) is sampled playing violin. GSSD is the primarily CDR imprint of Randy Lee Sutherland (Sword and Sandals, Vholtz, Wiggwaum, Thin Ensemble). The Chen Santa Maria record is their first commercially pressed CD. Shit On Records is a San Francisco-based label that has released material by Kool Teen, Happiness, and Militant Children's Hour. Cover artwork by Paul Tyree-Francis (Luaka Bop) printed on full-color Arigatopak from Portland's Stumptown printers.\u003c\/p\u003e\n\u003cp\u003e1 Condominimum 9:16\u003c\/p\u003e\n\u003cp\u003e2 Tic Taxed 4:20\u003c\/p\u003e\n\u003cp\u003e3 Insides Out 3:13\u003c\/p\u003e\n\u003cp\u003e4 Chirpin' 4:19\u003c\/p\u003e\n\u003cp\u003e5 Ping Polo 4:32\u003c\/p\u003e\n\u003cp\u003e6 Slugless 5:58\u003c\/p\u003e\n\u003cp\u003e7 You're Sunk 6:07 \u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709069213863,"sku":"gssd076","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/2811591623_296632f654_m.jpg?v=1618775263"},{"product_id":"slomo-video-dvd","title":"Slomo Video DVD","description":"SLOMO VIDEO is 100 one minute slow motion videos by 85 filmmakers and video artists from around the world. The video festival swerves into cinemas around the world, transubstantiates time into taffy, and turns the usual expectations of a video show on its side and inside out. This unique compilation of cinematic slowness pulls the audience through a molasses-tinged warp of catastrophic visual and audio beauty! \r\nIncludes videos by \r\nScott Arford, LoVid, Mudboy, Matmos, Keith Fullerton Whitman, Ian Billet, Virgil Porter, Killing My Lobster, David Lowery, and many more.\r\nOrganized by Ryan Junell\r\n\r\n\u003ciframe width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/ZDtl3zWmSKg?list=PL7F7D30A81F17119D\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39709069639847,"sku":"","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/pastedGraphic.png?v=1618775271"},{"product_id":"antifamily-cd","title":"Antifamily CD","description":"\u003cp\u003eDifficult Fun\u003c\/p\u003e\n\u003cp\u003e\u003cspan size=\"-2\" face=\"Georgia, Times New Roman, Times, serif\" style=\"font-family: Georgia, 'Times New Roman', Times, serif;\"\u003eImprovised straight to hard drive - in London \u0026amp; Munich 2004-6. Minimal overdubs added.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Georgia, Times New Roman, Times, serif\" size=\"-2\" style=\"font-family: Georgia, 'Times New Roman', Times, serif;\"\u003eProduction, editing \u0026amp; arrangements by David Panos\u003cbr\u003e\u003cbr\u003eExtra post-production on Nation of Bastards \u0026amp; Work Cheap - Nick Phillips\u003cbr\u003eMastered by Doug Shearer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-Vey1_o5euE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39855809265831,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-773885-1587330951-6445_jpeg.jpg?v=1619793304"},{"product_id":"iibiis-rooge-hespherides-lp","title":"Iibiis Rooge ‎– Hespherides LP","description":"\u003cp\u003eWeird Forest LP\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eiibiis rooge is the high-powered collaboration of neil campbell (astral social club, vibracathedral orchestra and a band) and high wolf (releases on holy mountain, not not fun, and his own winged sun label). their new album, hespherides, is a welcome development in the duo's trajectory, with its immersive propulsion more refined and synthesized than their 2009 self-titled debut. that earlier effort showcased the possibilities and capacities of the two artists' collaborative spirit, each track exploring the individual aspects of a shared sense of sound with discernible cues from either campbell's or high wolf's discography. in contrast, hespherides is a meticulously sculpted document that embraces a total sound - one that denies prominence of each contributor by melding the psychic duality of the pair. shifting industrialized ethno-polyrhythmic structures are transformed by droning, blissed-out textural threads that seamlessly coexist and contradict one another; through two side-long process-driven mechanical meditations, a shared space is constructed, one that satiates anyone willing to gorge on the global, post-acid house, rainbow hypnotism that is iibiis rooge.\u003c\/span\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":39866366394535,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-3611163-1337299338-2436_jpeg.jpg?v=1619940208"},{"product_id":"mike-shift-forgotten-somewhere-cassette","title":"Mike Shiflet - Forgotten Somewhere cassette","description":"\u003cp data-mce-fragment=\"1\"\u003eMike Shiflet – \u003cem data-mce-fragment=\"1\"\u003eForgotten Somewhere\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eObsolete Units\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt’s a daunting task to think of where to begin when it comes to offering up a succinct summation of Mike Shiflet’s copious and exquisite body of work. Over the past eleven years or so, the Columbus-based musician has investigated a breadth of approaches to sustained sound, from slow-burning microcosmic tones that gradually shift into distinctly unfamiliar forms to more carefully coordinated layers of melodious treatments of guitar, synth, and field recordings that actively extract unorthodox inflections from such familiar sources. \u003cem data-mce-fragment=\"1\"\u003eForgotten Somewhere\u003c\/em\u003e has Shiflet mastering both of these attitudes, the title piece constructing a nebulous, dusky fuzz of subtly gorgeous vibration while “Omicron Meditation” is a textural excursion into crackling, jittering snaps, recalling a piece of warped blank vinyl spinning from damaged speakers. This cassette is a transcendent testimonial from one of the underground’s most celebrated talents, hinting both at territory investigated on 2010’s acclaimed \u003cem data-mce-fragment=\"1\"\u003eLlanos\u003c\/em\u003e CD and earlier works such as 2004’s \u003cem data-mce-fragment=\"1\"\u003eXenakis Youth\u003c\/em\u003e CDR.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePro-dubbed\/pro-printed edition of 100.\u003c\/p\u003e","brand":"Obsolete Units","offers":[{"title":"Default Title","offer_id":39873459683495,"sku":"OU-038","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/mike-shiflet-forgotten-somewhere-Cover-Art.jpg?v=1620026564"},{"product_id":"opera-mort-dedales-lp","title":"Opéra Mort - Dédales LP","description":"\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eDédales\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is the second LP from \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOpéra Mort\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, following up their debut for the in-house label of the sadly-defunct Parisian record shop Bimbo Tower. The project is an ongoing collaboration between \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJo Tanz\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaurent Gerard\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, two figures in the eye of France's contemporary avant-garde underground; Jo with his Tanzprocess label and Laurent with his \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eÉlg\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e project. They also form two-thirds of the trio \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eReines D'Angleterre\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with the legendary French artist \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGhedalia Tazartés\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, who will be returning to live performance later in 2014. The eight tracks on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDédales\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e were edited down from a series of improvised live takes of abstract and otherworldy electronics, shifting the Opéra Mort sound into more focused territory and creating a musical language that's uniquely singular and a direct result of their close collaborative relationship.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Alter presents the second album from French electronic duo \u003c\/span\u003e\u003cb\u003eOpéra Mort\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Comprised of members \u003c\/span\u003e\u003cb\u003eJo Tanz\u003c\/b\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cb\u003eLaurent Gerard\u003c\/b\u003e\u003cspan\u003e, two figures in the eye of France's contemporary avant-garde underground. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Tanz is head of the Tanzprocess label and Laurent is also well-known for his \u003c\/span\u003e\u003cb\u003eÉlg\u003c\/b\u003e\u003cspan\u003e project. They are also in \u003c\/span\u003e\u003cb\u003eReines D'Angleterre\u003c\/b\u003e\u003cspan\u003ewith \u003c\/span\u003e\u003cb\u003eGhedalia Tazartés\u003c\/b\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":39989412954279,"sku":"ALT15","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-5727955-1401046848-3778_jpeg.jpg?v=1620944233"},{"product_id":"dimmer-remissions-2lp","title":"Dimmer - Remissions 2LP","description":"\u003cspan data-mce-fragment=\"1\"\u003edimmer's \"remissions\" is the second full-length album from longtime sonic architects of interactive feedback circuits, thomas dimuzio and joseph hammer. this 2xlp effectively represents four side-long pieces from their live shows throughout california taken place between 2006 and 2007.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eessentially a follow-up to their 2007 album on los angeles' melon expander, \"remissions\" expands upon the immense recursive tape looping and resampling that is found inherent in their work but achieves a weight and time displacement that greatly overshadows their dark preceding full-lengh. all four pieces were recorded at: norcal noisefest in sacramento (2006, \"sky wire\"), the luggage store gallery in san francisco (2006, \"sun dog\"), the smell in los angeles (2006, \"gases that emit light\"), and artsf's noise pancakes series (2007, \"giant eagle\").\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elive sampling, processing, feedback, looping by thomas dimuzio. tape manipulation and processing by joseph hammer. design and layout by thomas dimuzio, joseph hammer and brandon nickell. limited to 500 copies on full-color sleeves with cover photography by john dalton.\u003c\/span\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":40209502109863,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-1943182-1260389698_jpeg.jpg?v=1622331782"},{"product_id":"realicide-lifelong-exit-7","title":"Realicide - Lifelong Exit 7\"","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRealicide (formerly known as Realicide Elixir) were a avant garde\/musique concrete experimentation in noise and auxilary torture techniques from Cincinnati, OH formed in 2001. The original line-up included only constant member Robert “Inhuman” Odette on Trombone and shrieks, Johnny Ray Rucker the Third providing lead vocals, and with Mavis Concave and Jason Bowser providing bass and guitar respectively. For their early years the band did not incorporate a drummer, but instead attempted to program a drum machine and samples.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":41688137924775,"sku":"","price":4.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-4693664-1480234994-8462_jpeg.jpg?v=1636689449"},{"product_id":"evicshen-hair-birth-lp","title":"Evicshen - Hair Birth LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough synthesizers are the backbone of Shen’s music, while performing live, she plays self-made synths, invented instruments, and even acoustic objects like a bull whip. Her live show vacillates between moments of restraint and swells of frenetic and confrontational movement. Her sound is dynamic with a sensitivity to texture and structure throughout. This sensitivity is maintained in her debut LP Hair Birth, the result of several weekends locked in a studio creating cacophonous, wondrous synth noise with Harvard’s Buchla 100 and Serge modular systems.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe tracked hours of stems before cloistering herself in a painstaking editing process. Songs like ‘Under The Stall Door’ sound like a cybernetic rollercoaster with rumbles and shrieks that hurtle the listener through virtual space. Others, like ‘Bolete,’ are tense, dense mood pieces that move from the queasy to the tranquil to the surreal.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841700274343,"sku":"ADR006","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a3342242576_10.jpg?v=1641073579"},{"product_id":"ellen-fullman-music-for-the-man-who-grew-common-in-wisdom-lp","title":"Ellen Fullman - Music For The Man Who Grew Common In Wisdom LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003ebesom presse announces the release of Ellen Fullman’s Music for the Man Who Grew Common in Wisdom. Known prominently for her sculptural Long String Instrument (LSI), these musique concrete pieces showcase an underrecognized side of Fullman’s sound investigations. In two expansive works, Fullman voyages through the comic, the menacing and the blissful all while evoking the unique kinetic and timbral aesthetic for which she is widely praised. Composed between 1987-1989, while living in Austin, Texas, the music originally served as accompaniment to choreographer Deborah Hay's dance piece of the same name. The besom presse release presents the last two movements of the full composition. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 1985, Hay, a founding member of the Judson Dance Theater, commissioned Fullman to collaborate on a new work. Hay was deeply influenced by her experience as a member of the Merce Cunningham Dance Company and to the way John Cage and Cunningham collaborated. As such, the only relationship planned between Fullman’s music and the choreography was timing. Inspired by Hay’s open-ended approach and encouraged to use a new set of musical implements, Fullman explained, “I found this way of working to be remarkably refreshing and respectful of my process. I felt free to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e delve into my attraction for absurdity, knowing that I would not be judged.” With a variety of acoustic sound sources, Music for the Man Who Grew Common in Wisdom finds Fullman exploring the possibilities of the Prophet sampler. Describing her experience of using this tool she explains: “I was fascinated by what could be done with the Prophet and worked in a way that could be seen as an outgrowth from the musique concrete approach that I had used with a reel-to-reel tape recorder in earlier years.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe excursion rewards careful, repeated listening. Its musical events arrive spontaneously while striking a rare balance between the poetical and unaffected. While the work is time-stamped by its technology, it evades the quaintness that beleaguers so many novel releases from the past. On side A, titled Music for the Gardener, Fullman triggers an assortment of exquisitely recorded acoustic sounds from a variety of quotidian sources including bits of glass dropped on a concrete slab, the gentle clanking of suspended woodscraps, water swishing back and forth, and her own voice. The piece begins with the glass, arranged chromatically, which Fullman playfully improvises with by triggering individual notes from a series of chord shapes. The effervescent chime and bounce is punctuated with sudden cluster chords that explode like a six-pack against a brick wall. This gives way to the round and muted tones of the swinging timber—a generous sonic foil to the icy digital aliasing of the glass samples. Shifting focus again, we hear the hi-fi swishing of water in a tub reproduced in a dazzlingly wide stereo field made possible by microphones arranged at either end of the bath. Fullman’s sampled voice, played in a meditative modal melody, signifies a kind of coda anchored by the rhythmic pulsing of clanking wood. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSide B’s Music for the Aviator is rooted in Deborah’s directive: \"We contain the mystery, but we don't know what it is.\" Like an alternative soundtrack to Jodorowsky’s Santa Sangre, starter guns, percolating bubbles, cheering crowds, and a calliope organ conjure a lysergic day at the circus. More or less abrupt disturbances take place throughout. The circus is consumed by cetaceous blowhole sounds, which in turn fade into something vaguely like the Hindewhu whistle of Ba-Benzélé Pygmy music (think the intro to Herbie Hancock’s Watermelon Man). Eventually the piece settles into a satisfying rhythmic pulse of tuned breath sounds set in a cloud of woozy voice loops while a tightly packed spectrum of overtones springs forth. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Man Who Grew Common In Wisdom was performed in August 2019 at the Tanz im August Festival, Berlin, in their RE-Perspective Deborah Hay, Works from 1968 to the Present. Eva Mohn of the Cullberg Ballet, Stockholm, was the soloist, and the work has become part of their repertoire. Music from the first movement of this piece, The Navigator (aka “Staggered Stasis”), was made available earlier this year by Superior Viaduct on a reissue of Fullman's 1987 self-released cassette, In The Sea.\u2028\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"music for the gardener\" uses the image of a curbside garden decorated with bits of broken glass and scrap wood. recordings of these materials are manipulated with a prophet sampler to build an audio mosaic out of discarded things. \"music for the aviator\" is rooted in deborah’s directive: \"we contain the mystery, but we don't know what it is.\u003c\/div\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841721770151,"sku":"BP004","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a3256926295_10.jpg?v=1641074188"},{"product_id":"hiro-kone-the-unmoved-mover-12","title":"Hiro Kone - The Unmoved Mover 12\"","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHiro Kone is Nicky Mao, a New York City based musician and artist. Mao was a former member of Effi Briest and Up Died Sound. Her background in classical training and symphonic arrangements provides a stark juxtaposition to the raw sounds of Hiro Kone's material, evoking something both familiar and disorienting. Co-produced and mixed by former original Gang Gang Dance member Tim Dewit, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Unmoved Mover\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, examines the break between worlds, with void in form, and irreverent breaches in thought. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Unmoved Mover\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is both solitary and collaborative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 250\u003c\/span\u003e\u003c\/p\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841892229287,"sku":"GT015","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/IMG_0932.jpg?v=1641920563"},{"product_id":"dimuzio-wobbly-courtis-redwoods-interpretive-lp","title":"Dimuzio \/ Wobbly \/ Courtis - Redwoods Interpretive LP","description":"\u003cp\u003eT\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehere wasn’t even time to visit the Redwoods. In 2019, Argentine sound artist Anla Courtis visited the San Francisco Bay Area for 48 hours to play and record with electronic musicians Thomas Dimuzio and Jon Leidecker. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtis’ intuitive and abstracted approach to guitar fed the inputs of the machines piloted by his collaborators, deploying techniques of real time live-sampling and machine listening to create sonic labyrinths of unarbitrary complexity. In the resulting interlace, any decision made by Courtis instantaneously guides and provokes every other layer in the mix, creating a kind of technological music that only humans can produce. ’Redwoods Interpretive’, the album that emerged from these 48 hours, is constructed solely from the studio recordings made before and after their two public concerts: the trio’svery first meeting, recorded at Gench (Dimuzio’s formidably equipped home studio) only hours after Courtis’ landing, and an extended radio improvisation broadcast live in the dead of night on Negativland’s long-running program “Over The Edge” — mere hours before Courtis’ departure from the Bay. For even if there had been time for this trio to leave the city, one would only encounter that lost and increasingly dangerous monarch who wanders the shrinking woods, confronting anyone foolish enough to expect to find\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e solace on a hike, and demanding of them to be given that master list of Rules Which Govern The Changing Of Rules. Those woods within reach of the city are already lost to us, patiently awaiting an end to our electrical humming, and so this album — as it is with any music interested in surviving the act of being recorded — must be content to remain a mere interpretation.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOSC035\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41881454543015,"sku":"OSC035","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1456855954_10.jpg?v=1642278597"},{"product_id":"hakobune-ruminating-on-what-was-unsaid-lp","title":"Hakobune - Ruminating On What Was Unsaid LP","description":"\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"UTF-8\"\u003eAmbient artist Takahiro Yorifuji created Ruminating on What Was Unsaid during the sweltering Tokyo July of 2019. On this record, a wistful and mesmerizing piano loop crescendos into a rippling wall of sound to create a mood of reflection. For Yorifuji, it calls forth nostalgic dreams of summertime in Japan.\u003cbr\u003e\u003cbr\u003eThis release marks the long-awaited return of Yorifuji’s record label Tobira Records, which he halted in 2011 after relocating to Tokyo. It also marks an exciting new venture for the artist, who in June 2020 will open his very own record store in his hometown of Kasai, Hyogo Prefecture, under the Tobira Records name.\u003cbr\u003e\u003cbr\u003eIt joins a string of other Hakobune releases put out this year, including The Last of Our Time Together from Past Inside the Present, A Fan, Strings, and Two Guitars from Patient Sounds, and Rain Studies from Constellation Tatsu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003epressed on gold vinyl. limited 300.\u003c\/span\u003e\u003c\/p\u003e\n","brand":"The Business","offers":[{"title":"Default Title","offer_id":41881474072743,"sku":"TBR016","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a2745000070_10.jpg?v=1642279534"},{"product_id":"tommy-de-chirico-close-your-eyes-ep","title":"Tommy De Chirico - Close Your Eyes EP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOUT OF PRINT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eA true pearl of the Italian minimal synth scene from the '80s. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eTommy De Chirico\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e founded the post-punk band \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePolitburo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e in Turin during 1981 together with \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMaurizio Rubinetti\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSick Rose\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMassimo Aluffi\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIvan Siberia\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e). On his own, he released the 7\" \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eClose Your Eyes\/Flower Into the Factory\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e, produced and recorded at TKS Studio by the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMonuments\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMauro Tavella\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e between 1982 and 1983 and subsequently released by Turin's Shirak Records in 1984. When Politburo split in 1986, Tommy continued to experiment with various projects and sounds, including \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThugs\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eQuiet\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (with members of Monuments and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDeafear\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNoxeda\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLacrimal\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, with whom he still plays today. Also presented here are three bonus demo tracks: a rare version of \"Close Your Eyes\" and two out-takes from 1983: \"Vuh-Ya\" and \"Tuxedo Dance.\" The original graphic cover was realized by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBruno Zanichelli\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e aka \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePennarex\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, an underground artist from Turin. Strongly recommended for fans of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMartin Dupont\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eOppenheimer Analysis\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDas Kabinette\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVictrola\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNeon\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":41904933437607,"sku":"MNQ 041EP","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/MNQ041EP_CU.jpg?v=1642883606"},{"product_id":"mouthus-bulbs-lp","title":"Mouthus \/ Bulbs LP","description":"\u003ch2\u003e\u003cem\u003eWhere the Bridge Was Found\/Emerald Isle - LP\u003c\/em\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePrinted by Monoroid.\u003c\/p\u003e\n\u003cp\u003eMouthus:\u003c\/p\u003e\n\u003cp\u003eDrum and guitar explosion through tape manipulation and a total synth bath. Collided through a number of recording sessions and strings of modulation to elevate the particle riffage to a heightened state of platectonic rock.\u003c\/p\u003e\n\u003cp\u003eBulbs:\u003c\/p\u003e\n\u003cp\u003eWilliam Sabiston formerly of Axolotl \u0026amp; Jon Almaraz. Like tuning your radio slowly between far off New Age stations in the most serene way possible. The marriage of muted melodies existing below feedback skwerls and electronic swirls. Transmissions from a better place.\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":41929610821799,"sku":"","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/s-l960.webp?v=1770834776"},{"product_id":"maleficia-lp","title":"Maleficia LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsounderscore \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited to 400 copies\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"Maleficia is the bay area duo of Andy Way (Orchest, French Radio, Carrion) and Ilysea Viles Sunderman, who crafted this desolate, post-industrial smear of voice, violin, and electronics for the always impressive isounderscore label. With the titles of the two side long pieces being \"Making\" and \"Remaking,\" Maleficia offers a crucible of elemental sounds being obliterated into a charred dust and rebuilt into ashen constructions of misery and disgust... The industrialized loops that wraps around the voice and violin come across like a slow-motion Maurizio Bianchi on par with the downer records he did with Land Use or the grim power electronic phase in the early '80s. Certainly for fans of Amber Asylum, early Lustmord, and the dark ambient aspects of Broken Flag\" (Aquarius Records)\u003c\/span\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":41929620095143,"sku":"ISO_06","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/R-1907778-1260390114.jpg?v=1703085977"},{"product_id":"q-electronics-drum-buddy-demonstration-record-vol-1","title":"Q Electronics ‎– Drum Buddy Demonstration Record Vol. 1 CD","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"The Drum Buddy is a five-oscillator, light-activated, mechanically-rotating drum machine that took five years to develop and design. The multitude of sounds it produces are a result of a direct link between the human hand and sheer electronic voltage! \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Skin Graft","offers":[{"title":"Default Title","offer_id":42303483150503,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-800790-1160129634.jpg?v=1648707272"},{"product_id":"lasse-marhaug-kapotte-muziek-7","title":"Lasse Marhaug - Kapotte Muziek 7\"","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsing source material from Kapotte Muziek's concert in Trondheim november 7th 1997. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited to 300 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eN°3 in the \"Kapotte Muziek by...\" series\u003c\/span\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":42324783693991,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-376604-1105504905.jpg?v=1653452244"},{"product_id":"wolf-eyes-six-arms-and-sucks-cdr","title":"Wolf Eyes - Six Arms and Sucks CDR","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded live June 21, 2005. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered at Soopa Studio\/Bunker 207, Porto, December 2005. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCDr with Wolf Eyes stamped on the face, packaged in a silk-screened gatefold card stock sleeve. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited to 200 copies\u003c\/span\u003e\u003c\/p\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":42340009312423,"sku":"","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-614572-1138648966.jpg?v=1653943403"},{"product_id":"suzanne-ciani-lixiviation-ciani-musica-inc-1969-1985-lp","title":"Suzanne Ciani - Lixiviation (Ciani\/Musica Inc. 1969-1985) LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe American \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDelia Derbyshire\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e of the Atari generation. With a sonic portfolio that boasts commissions for the Xenon classic pinball machine, the sounds for the Meco \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eStar Wars\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e theme, the Atari TV commercials, and the electronic sound effects in the original \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eStepford Wives\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e film (1975), amongst many others, the mutant electronic music CV of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSuzanne Ciani\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e is proof that in a 1970s commercial world of boys toys, monopolized by a male dominated media industry, a woman's touch was the essential secret ingredient to successful sonic seduction. A classically trained musician, with an MA in music composition, this American-Italian pianist was first introduced to the synthesizer via her connections in the art world when abstract sculptor and collaborator \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHarold Paris\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e introduced Suzanne to synthesizer designer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDon Buchla\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e who created the Buchla Synthesizer, the instrument that would come to define Ciani's synthetic sound. Cutting her teeth providing self-initiated electronic music projects for art galleries, experimental film directors, pop record producers, and proto-video nasties, Suzanne soon located to New York where she quickly became the first point of call for electronic music services in both the underground experimental fields and the commercial advertising worlds alike. Counting names like \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eVangelis\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHarald Bode\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e amongst her close friends, Suzanne and her Ciani Musica company became the testing ground for virtually any type of new developments in electronic and computerized music amassing an expansive vault of commercially unexposed electronic experiments which have remained untouched for over 30 years... until now. Finders Keepers Records present a new creative archive based relationship with Suzanne Ciani, who, as one of the very few female composers in the field (save Chicago's \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLaurie Spiegel\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Italy's \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDoris Norton\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and a post-op \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eWalter Wendy Carlos\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e) turned a hugely significant wheel behind-the-screens of many early computerized music modules throughout the 1980s, dating back to her formative years studying at Stanford's Artificial Intelligence Labs in the early '70s. Suzanne Ciani's detailed and academic approach to music and electronics coupled with an impeccable sense of timing and melody (and a good sense of humor) shines throughout this new collection of previously unreleased recordings.\u003c\/span\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":42419029508263,"sku":"FKR 053LP","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/FKR053LP_CU.jpg?v=1651949931"},{"product_id":"flossie-and-the-unicorns-lmnop-cd","title":"Flossie and the Unicorns - LMNOP CD","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eMiss Pussycat is a puppeteer whose little animal friends are always starting bands! The most popular is Flossie And The Unicorns and L.M.N.O.P, is their first CD. Flossie and The Unicorns sound like... hmmm... furry animals playing dance music on little tiny guitars, eensy weensy drums and itty bitty synthesizers! Now, Please don't try to figure out the \"time signature\" of this music - there isn't one. So simple and perfect, it's almost frightening - unless, of course, you're a badger! Always on tour with Mr. Quintron. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFUN FACT(S): An expanded version of Chewing Gum appears on the Camp SKiN GRAFT compilation (GR#50) as \"Chewing Gum From Outer Space\"! After hearing LMNOP, the BBC's John Peel immediately invited Miss Pussycat to the UK to record Peel Sessions, an honor shared by The Beatles, Led Zeppelin and U.S. Maple.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eLINE UP: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMiss Pussycat: Manager \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFlossie: lead singer \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStuffy: drums and synthesizer \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrincess Pandora Stardust: lead guitar, vocals \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSnicklefritz: the guitar playing turtle \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGUEST: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMr. Quintron: vocals \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eProduced by Miss Pussycat at The Spellcaster Lodge\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Skin Graft","offers":[{"title":"Default Title","offer_id":42481023549607,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0180134470_10.jpg?v=1653942507"},{"product_id":"frantz-loriot-while-whirling-lp","title":"Frantz Loriot - While Whirling LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"color_11\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHeavy tip-on jacket with embossing and spot finishes.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"color_11\" data-mce-fragment=\"1\"\u003e Full color inner sleeve and insert.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003eOn \u003cspan\u003eWhile Whirling\u003c\/span\u003e, French-Japanese violist \u003cspan\u003eFrantz Loriot\u003c\/span\u003e unleashes the essence of the viola as an explosive expressive force. Pushing the instrument to extremes, he ceaselessly explores its most subtle and unexpected sonorities. From a single acoustic string instrument, he miraculously teases and evokes hallucinatory impressions of harpsichords pounded, bells struck, electronics cracked, dirt shoveled; Loriot has created a unique, personal music filled with moments of textured transcendence and tension-filled tenderness.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eWhile Whirling\u003c\/span\u003e is Loriot’s second solo album and a masterclass on how to develop a radically personal musical language. As a third-generation classically-trained musician, Loriot’s rupture with that tradition is striking as he continues to challenge every pre-conceived relationship between instrument and instrumentalist. Having first been inspired to rethink the physicality of musicianship by hearing Tom Cora’s playing on his collaborations with the Dutch punk-rock band The Ex, Loriot sought out a series of teachers that could further expanded his sense of the musically possible\/possibly musical. From Joëlle Léandre, he was opened up to the combination of aesthetics and politics; from Barre Phillips and his “large calm energy,” Loriot learned about the necessity to get uncomfortable in his music-making. And from David S. Ware, he took an understanding of music as a matter of life and death. (The fact that none of these important teachers were violists themselves demonstrates Loriot’s confidence in the physical relationship he was building with his instrument.) To his biological and pedagogical foundations in classical music, Loriot supplemented his understanding of music’s force with realizations of vitality, awareness, and danger.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e \u003cspan\u003eWhile Whirling\u003c\/span\u003e was recorded in the acoustically balanced space of Das Institut in Zürich, a small, interdisciplinary art space with angled walls on the top floor of a residential building on a quiet street. Because Loriot knew that he wanted to focus on both capturing and unspooling specific acoustic phenomena that he sought to manifest, he had to choose a place that would be ultra-conducive to intense focus, yet still casual enough to make room for life to burst in. As a sequence of solo excursions, each track on While Whirling rewrites the balance between improvisation and composition. The drama of Loriot struggling to complete a sequence after arriving at a texture he so clearly strove for puts the listener in an extremely privileged position; we have the pleasure of hanging on to each desperate subtlety of his decision-making process as he pushes himself and his music further and further across the the vanishing edges of ever-expanding horizons.  \u003c\/p\u003e","brand":"Thin Wrist","offers":[{"title":"Default Title","offer_id":42492825043111,"sku":"TW-S","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/TWSLP_CU.jpg?v=1654360716"},{"product_id":"are-friends-electric-cd","title":"Are Friends Electric? CD","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompilation with tracks from Semiautomatic, Concentrick, Halo Altera, the Faux, Kisses, Lo Hi, XBXRX w\/ Quintron \u0026amp; Miss Pussycat, Racquet, manmatesmachine, Healamonster \u0026amp; Tarsier, DJ Tropik, Feelings on a Grid, Exotic Pet Over Fake, Goldar, Great Ocean, Black Japan, Andy Cigarettes, Doko Demo Doa\u003c\/span\u003e","brand":"ZumMedia","offers":[{"title":"Default Title","offer_id":42649518407847,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-6084040-1410643691-4281.jpg?v=1661308144"},{"product_id":"carbon-onda-erased-gaze","title":"MV Carbon \u0026 Aki Onda - Erased Gaze cassette","description":"\u003cp\u003ewrap-around full-color cassingle style packaging.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSide A. Erased Gaze \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMV Carbon: reel to reel, vocals \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAki Onda: cassettes, electronics \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDoron Sadja: hard-hit drums \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSide B. Shrouded Distraction \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMV Carbon: reel to reel, cello, vocals, electronics \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAki Onda: drum machine, guitar, cassettes \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed by Aki Onda and MV Carbon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLyrics by MV Carbon \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRecorded and mixed by Aki Onda\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"I'm the kind of person who is forgetful and whose memory is clueless. Nonetheless I vividly remember when I first heard MV Carbon play. It was around 2008 and she was improvising with then-Baltimore-based cellist and voice performer Audrey Chen at the Paris London West Nile, an underground DIY space on Kent Avenue in Williamsburg, which she co-founded after moving from Chicago. She was living there and sharing the large, high-ceiling industrial-looking space with other newcomers-in-town, such as Doron Sadja, Zeljko McMullen, and Mario Diaz de Leon. She and Audrey were facing each other in the middle of the space, surrounded by tons of musical instruments, stage props, and reclaimed junk. I was the only one who saw the private session, though Tony Conrad, who had a studio there and was an important figure in the PLWN collective, stopped by and chatted with us afterwards. I reckon they were just jamming, but it was jaw-dropping. They didn’t seem bothered by the standard methods improvisers generally employ to keep each's sense of timing and pacing; instead they were exploring what they could do together without relying on pre-existing vocabularies. Their play wasn't matching but co-existing in a whimsical way. Carbon's style -- flamboyant and absolutely-like-no-other -- reminded me of French\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003etrumpeter and provocateur Jac Berrocal's manner of composing sonic palettes. I had been collaborating with Jac around that time, so he was fresh on the mind. I'm the kind of person who’s into a player’s personal style rather than their ability to adhere to a particular genre or form. So it was refreshing to hear both Carbon’s and Audrey’s music, free of any trace of New York’s musical traditions – neither the Downtown ’80s style nor the budding Brooklyn indie scene nor any others I could recognize; it was just their own. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is one of countless memories I’ve accrued since meeting Carbon. We started playing together just after that. Our first show was back at the PLWN that same year, and we kept playing for a while at venues around New York (MoMA PS1, ISSUE Project Room, etc.) After the PLWN's closure in 2010, Carbon moved to another studio with Tony Conrad, which was just around the corner from my apartment in Greenpoint. We would hang out there or in McGolrick Park down the block, especially in summer time. Once, I recorded her vocals for her solo album in a makeshift booth in her studio. The tiny space wasn’t designed for sound isolation but rather to retain heat, as we were in the middle of a freezing winter and the large studio had no heating. We also went to a mountain to bury Carbon's beloved, long hair cat Mousers in the middle of a saddened night. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCarbon’s creative associations always turn into personal ones, and there is no separation between her art and her life. If you hear her playing, regardless whether it’s cello, voice, reel-to-reel tape recorder or whatever, you recognize her character and edge first. Her painting, film, and even vegan cooking, all the same. I love her fashion -- a bit camp but gorgeous and elegant. There is a hint of Warhol’s Factory superstar vibe (Ultra Violet and Mario Montez...? I wouldn't be surprised if Carbon starred in a Jack Smith film...). She has an extensive and expansive wardrobe of clothes with a very particular taste. I saw her numerous times over the last ten years but she never wore the same clothes twice, always a fresh new look. Or maybe I just can't keep track... \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOh, I almost forgot to say... These two songs grew from our decade-long friendship, but the tracks speak for themselves. I would just mention that the blissed-out, hard-hit drums on the first track were played by our pal Doron Sadja, who now lives in Berlin. Enjoy!\" \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Aki Onda\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":42681692389543,"sku":"AP014","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1344001203_16.jpg?v=1660924235"},{"product_id":"heatsick-re-engineering-lp","title":"Heatsick - Re-Engineering LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRE-ENGINEERING is the bold new album from Heatsick, aka Berlin based British artist Steven Warwick.\u003c\/p\u003e\n\u003cp\u003eWell known for his epic multi-hour live club sets and acerbic wit, he characterizes this collection of new material as a “cybernetic poem” that both indulges us in the mores of hypnotic dance music while holding a critical, and at times satirical, lens toward the culture writ large.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDedicated to my dearest friend Jesse Garcia (1975-2013)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"PAN","offers":[{"title":"Default Title","offer_id":42689972568231,"sku":"PAN 48","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/news_419_5033485802.jpg?v=1661297158"},{"product_id":"jorge-boehringer-a-collection-of-clear-songs-cdr","title":"Jorge Boehringer - A Collection of Clear Songs CDR","description":"\u003cp\u003ethis is a collection of (mostly) scored, composed ensemble works completed between 1999-2005, or so. The title is taken from an ancient book of Japanese poetry, associated with Zen Buddhism, or so I thought until I decided to upload this old materia.\u003c\/p\u003e\n\u003cp\u003eIt turns out maybe I only dreamt that I read these poems...or maybe someone knows if they exist? The cover, unfortunately here in very low resolution, is a drawing in a new style I discovered during that time and have developed in various ways since then. There are also some electronic tracks made for dancer and choreographer Tuesday Faust.\u003c\/p\u003e\n\u003cp\u003eStrata was performed for my composition seminar concert at the time with Pauline Oliveros and it features Benjamin Piekut on cello, John Dieterich on guitar, myself on viola, and Sarah Zaharako on violin.\u003c\/p\u003e\n\u003cp\u003eSome other tracks where performed in New York, at Baruch Hall, next to the Whitney Museum, by Ensemble Inc, a group of excellent musicians organized by percussionists Micheal McCurdy and Russell Greenberg while they were PhD students.\u003c\/p\u003e\n\u003cp\u003eOther tracks were performed by Brown Bunny Ensemble, a diverse group of musicians on the northern California coast that regularly met to play each another's compositions, in all styles and with any instruments available, and to improvise. This group was largely organized\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e by Kristin Miltner, David Harrison Horton, Micheal Carriera, Benjamin Piekut, Miguel Galperin, James Livingston, and myself, and existed for a good many years, as chamber group, large ensemble, and even as a death metal trio for a time. The Future of American Transportation is an adaptation, as a suite of the music presented in the sort of opera thing I wrote for my Mills College Masters thesis. Friends made up a 30 piece orchestra that performed this music. Great times. Full credits for performance and so forth will be posted here, but I have to locate the information first....I have also added here several tracks that represent things from the same time, but did not appear on the original disk, including Standing Waves for Liberty, performed by the Mills College Performance Group \u003cbr data-mce-fragment=\"1\"\u003e another track, The Grammar of Coastlines is performed by myself and Edward Shocker, with Greg Saunier (Deerhoof) on drums...he played that night with a broken leg, as he had just that morning been hit by a car while waiting for the bus!\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003c\/p\u003e","brand":"Jorge Boehringer","offers":[{"title":"Default Title","offer_id":42690170912935,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/Scan.jpg?v=1661308095"},{"product_id":"driftloss-derealization-cassette","title":"Driftloss - Derealization cassette","description":"\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFirst physical manifestation of the synth duo Driftloss, who've released three Bandcamp-only albums during lockdown.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eDerealization is the third album and according to Marc Kate his favorite.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eAccording to Colin Marston : \"\u003cspan data-mce-fragment=\"1\"\u003eAfter I heard Marc's records '00' and 'Deface' it seemed like we should collaborate on something abstract!\"\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cp style=\"font-weight: 400;\"\u003eMK: My share of the sounds usually come from my Prophet 12 synth playing through guitar pedals into an Orange amp. Sometimes it's my modular synth. Sometimes it’s plugins if I want a sound that I can’t get from hardware. I also do a lot of time-stretching to play with duration.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eCM: I think of my main instrument in this band being the Simmons electronic drums (SDS V and SDS 8), but I also play keyboards and sometimes guitar and Warr guitar. The Simmons drums are the old analog synth versions with the hexagonal pads, which I play with normal drumsticks.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eMarston is a prolific musician and recording engineer who has been in the bands Krallice, Behold...The Arctopus, Dysrhythmia, Groeth, Paroxysm Unit, and Gorguts. Kate is half of Zum's synth and drum doom duo My Heart, an Inverted Flame. They live in San Francisco and New York.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eNarcoleptic and hauntological, inflected with frenetic electronic percussion.\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eVaporwaved Klaus Schulze scores.\u003c\/div\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":42897663066279,"sku":"zum040","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/Image.png?v=1674514573"},{"product_id":"everest-magma-alto-piano","title":"Everest Magma - Alto\/\/Piano LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMDR060 Everest Magma Alto\/\/Piano LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEverest Magma’s career over the past 10 years has been slowly building one of the most ecstatic and singular paths of the Italian underground scene. His dense and beautiful three albums were not afraid to cross boundaries with a mix of hypnotic tape beats, digital wonk, psych folk tropicalia and kinetic dub. This new offering 'Alto\/\/Piano' once again sees him in uncharted territories, where nature is sublimated into a personal alien vision mixing acid-folk fingerpicking, tonal ambience, psychedelic eccentricity and Italian 70s minimalism.\u003cbr\u003e\u003cbr\u003eEverest Magma rediscovers the folk roots of his dreamy alter ego Woodcutter. Once again he appears as a minstrel crossing moonstruck woods inhabited by gnomes, butterflies and crawling creatures. Nature is sublimated into a personal alien vision in which a lysergic approach triumphs in the arrangement of sound material and immersive musique concrète. Pure acid-folk fingerpicking communicates directly with the forest’s humus, steeped in wild and ethereal moods. Between schizoid or more lyrical moments, a persistent taste for subtle subterranean noises, electric flashes, radio and ufological interferences, deviant scents and psychological drifts permeates the flow. The abstracting structure of voices and\u003cspan class=\"bcTruncateMore\"\u003e singing expresses the cyclical beingness of living, a decontextualizing dimension of space and time. It's the pantheistic feeling of a parallel naturalistic universe, which also takes cues from the psychedelic eccentricity of Claudio Rocchi’s ‘Suoni di Frontiera’, the Incredible String Band or Holy Modal Rounders.\u003c\/span\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":43035264024743,"sku":"MDR060","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a2902189170_10.jpg?v=1673804344"},{"product_id":"lieberman-yeh-object-lessons-lp","title":"Justin Lieberman \u0026 C. Spencer Yeh - Object Lessons LP","description":"\u003cp\u003ePicture disc\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cu\u003eObject Lessons\u003c\/u\u003e\u003cspan\u003e and what of this ten-song collaboration between artist Lieberman and Yeh? Perhaps the influenced musically discussed is somewhere starting between mutual love of various artistic and musical genres certainly -- sound poetry, psychedelic rock, Japanese scum noise, Japanese psychedelic rock, listy lists, but certainly embodies more the present-time sensibilities and whims of both between the two artists to combine for something perhaps neither strictly adhering to any imitation. Perhaps to this record appropriately let's step back to New York artist Justin Lieberman's 2009 sculptural and multimedia work \u003c\/span\u003e\u003cu\u003eThe Corrector's Custom Pre-Fab House\u003c\/u\u003e\u003cspan\u003e -- a description from the debuting gallery follows -- \u003c\/span\u003e\u003ci\u003e'\u003cu\u003eThe Corrector's Custom Pre-Fab House\u003c\/u\u003e is inspired by Robert Venturi and Denise Scott-Brown's 1972 book, \u003cu\u003eLearning From Las Vegas\u003c\/u\u003e, which provides an in depth examination of what they call 'the decorated shed,' a simple structure with elaborate signage. Using the urban sprawl of Las Vegas as an example, they posit this architectural style as a means to enrich the symbolic content of post-modern architecture. \u003cu\u003eThe Corrector's Custom Pre-Fab House \u003c\/u\u003eis a steel dwelling covered with a multitude of objects including a 1970s snowmobile, a life sized Jolly Green Giant, foam filled inflatable toys, an illuminated Fedex sign, and a 7 foot shark. Accompanying the house is a sculpture of the 'Corrector,' a character inspired by the fictional figure, Nobusuke Tagomi, from Philip K Dick's novel, \u003cu\u003eThe Man in the High Castle\u003c\/u\u003e. The novel follows Tagomi in a fictional future fifty years after Germany and Japan defeat the Allied forces in World War II. Lieberman's interpretation of Taogmi is that of an avid collector of all things pop culture, whose collecting habits extend to the exterior of his home. Within the house, there is a computer equipped with a program that enables the 'Corrector' to archive each object with an informational text about the object's history, which is then projected onto the adjacent wall of the gallery. Created in the style of a Katamari video game, the program features texts on each object taking various forms such as objective accounts, plagiarized product descriptions, aesthetic meditations, poetry, short fiction, satire, and prose. These texts were then transformed into the record, \u003cu\u003eObject Lessons\u003c\/u\u003e, a musical collaboration between Justin Lieberman and C Spencer Yeh. The record is a spoken rendition of select object descriptions that were reworked into an ... musical format.'\u003c\/i\u003e\u003cspan\u003eFull-color gatefold jacket, depicting abovementioned objects piled up in a grassy field, and the empty dome waiting for occupancy, and inside special illustrations for both ten tracks -- with full color picture disc LP showing the Corrector statue's head in both sketch and final form. Manufacture stopped around 250 copies.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":43155271090343,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/WHAT008LP_CU.jpg?v=1675668358"},{"product_id":"gate-a-republic-of-sadness-lp","title":"Gate - A Republic of Sadness LP","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe first new Gate record in over a decade, A Republic of Sadness is as much a reason for celebration as indoctrination into the creative genius of Michael Morley. Known primarily for his work in The Dead C, Morley simultaneously has been doing Gate since he's started playing.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Republic of Sadness comprises the apex of Morley's various interests in one collection. His guitar and vocal drones permeate through looped beats and sounds, arriving at a sound that is not quite dance, not quite noise, not quite electronica and never, ever ambient.\u003c\/span\u003e","brand":"Ba Da Bing","offers":[{"title":"Default Title","offer_id":43179694882983,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/1200x1200bf-60_2e453963-3ad9-4f64-b897-4bd154fe4495.jpg?v=1676743890"},{"product_id":"transient-bastard-noise-completed-exposition-7","title":"Transient \u0026 Bastard Noise\/Completed Exposition \u0026 Blackphone666 7\"","description":"\u003cmeta charset=\"utf-8\"\u003eDo you remember the Judgement Night soundtrack? An interesting shmash-up of hip hop and metal\/rock musicians tossed together to create a memorable compilation. Well, this isn’t quite like that but it is a collab split features two amazing hardcore bands from different countries utilizing experimental noise artists to lay noise in the perfect places to enhance and elevate the songs. TRANSIENT brings both blast-beats and hair-raising riffs ala CATTLEPRESS, while Eric Wood aka BASTARD NOISE weaves in anxiety-inducing buzzes and blips. Two songs in four minutes will leave you with your jaw agape and you will pick up your needle and listen to the ending multiple times. On the flip-side are two very competent Japanese bands, representing the blasters are Osaka’s COMPLETED EXPOSITION. CXE are a three piece who utilize two bass players who both sing and a more than competent drummer. The noise component is Tokyo’s 黒電話666 aka BLACKPHONE666. Their side sounds like SPAZZ playing a concert at the end of existence where time and space has started warping. To Live A Lie continues to be a DIY underground label who continues to stay the line of cutting-edge releases, and this split collab is a perfect example of taking hardcore punk\/power violence and stepping up the style. Both groups and both noise artists are at the top of their game, and we couldn’t be more excited of this output.","brand":"To Live A Lie","offers":[{"title":"Default Title","offer_id":43241345155239,"sku":"","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/331983023473.jpg?v=1679532689"},{"product_id":"cube-drug-of-choice-lp","title":"Cube - Drug of Choice LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSince 2010, \u003c\/span\u003e\u003cb\u003eAdam Keith\u003c\/b\u003e\u003cspan\u003e's solo project \u003c\/span\u003e\u003cb\u003eCube \u003c\/b\u003e\u003cspan\u003ehas been supplying a steady run of records and cassettes that capture songwriter-ly fixations and frustrations in a dexterous style of wounded electronics. Though Cube has been the centerpiece of his activity for some years, he's all the while remained active in collaborations, playing in bands such as \u003c\/span\u003e\u003cb\u003eSPF \u003c\/b\u003e\u003cspan\u003eand \u003c\/span\u003e\u003ca href=\"https:\/\/www.zumonline.com\/products\/mansion-early-life-lp\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cb\u003eMansion\u003c\/b\u003e\u003c\/a\u003e\u003cspan\u003e to name just a few. Rounding off a decade of dialogues and agitations, Alter now presents Keith's third LP under the moniker of Cube, \u003c\/span\u003e\u003ci\u003eDrug of Choice\u003c\/i\u003e\u003cspan\u003e. Based in New York, though managing a functional transience that takes in California too, Keith's latest iteration as Cube launches a panoramic set of sonic touchstones into a gristly and hypnotic orbit. Seismic drum machine parts partition an album that layers industrial-tipped takes on digi-dub with roaming guitar lines, piano vignettes, and breakbeat theatrics. For all the abrasiveness and rhythmic allusions that Keith employs, his use of voices alongside lush manipulations of errant samples and atmospheres tempers the commotion, delivering something that feels as much focused on artful constructions of private experiences as it does the cathartic qualities of noise.\u003c\/span\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":43331844735143,"sku":"ALT 063LP","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/ALT063LP_CU.jpg?v=1685712041"},{"product_id":"yoshi-wada-the-appointed-cloud-lp","title":"Yoshi Wada - The Appointed Cloud LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eSaltern present the first-time vinyl edition of \u003c\/span\u003e\u003cb\u003eYoshi Wada\u003c\/b\u003e\u003cspan\u003e's \u003c\/span\u003e\u003ci\u003eThe Appointed Cloud\u003c\/i\u003e\u003cspan\u003e (1987), a work which Wada has often said is his favorite of his own. Staged at the Great Hall of the New York Hall of Science, \u003c\/span\u003e\u003ci\u003eThe Appointed Cloud\u003c\/i\u003e\u003cspan\u003e was Wada's first large-scale, interactive installation and featured a custom pipe organ, among other homemade instruments, controlled by a computer with a customized interface and software designed by engineer \u003c\/span\u003e\u003cb\u003eDavid Rayna\u003c\/b\u003e\u003cspan\u003e, known for his work with \u003c\/span\u003e\u003cb\u003eLa Monte Young\u003c\/b\u003e\u003cspan\u003e. This recording captures the opening performance for which Wada brought together four musicians on bagpipes (Wada, \u003c\/span\u003e\u003cb\u003eBob Dombrowski\u003c\/b\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cb\u003eWayne Hankin\u003c\/b\u003e\u003cspan\u003e) and percussion (\u003c\/span\u003e\u003cb\u003eMichael Pugliese\u003c\/b\u003e\u003cspan\u003e) to perform with the installation, operated by David Rayna. Remastered from the original master tape by \u003c\/span\u003e\u003cb\u003eStephan Mathieu\u003c\/b\u003e\u003cspan\u003e, and cut to vinyl via Direct Metal Mastering by \u003c\/span\u003e\u003cb\u003eHans-Jörg Maucksch\u003c\/b\u003e\u003cspan\u003e at Pauler Acoustics. Pressed at RTI and printed at Stoughton. Includes a digital download of the album. Edition of 600.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn Wada's own words: \"This performance [of \u003c\/span\u003e\u003ci\u003eThe Appointed Cloud\u003c\/i\u003e\u003cspan\u003e] was one of most memorable performances I've done. The space itself -- the Great Hall of the New York Hall of Science -- was incredible. The building was designed for the 1964-65 World's Fair and had spaceships hanging from the ceiling so people felt like they were traveling in outer space. It was an amazing experience with the sound of the pipe organ, sheet metal, pipe gong, and bagpipes all together. 60 minutes may seem like a long duration, but it didn't feel like it.\"\u003c\/span\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":43355019116711,"sku":"SLT 006LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/SLT006LP_CU.jpg?v=1686059717"}],"url":"https:\/\/www.zumonline.com\/collections\/synth.oembed?page=5","provider":"Zum","version":"1.0","type":"link"}