{"title":"Indie Rock","description":"","products":[{"product_id":"body-double-milk-fed-lp","title":"Body Double - Milk Fed LP","description":"\u003cp\u003ezum037 LP Edition of 500 on black vinyl manufactured by Smashed Plastic in Chicago\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.sfweekly.com\/music\/body-double-explores-seeds-of-division-on-milk-fed\/\"\u003eInterview in SF Weekly \u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/imposemagazine.com\/features\/double-trouble-qa-with-body-double\"\u003eInterview in Impose\u003c\/a\u003e \u003cbr\u003e\u003ci style=\"color: #212b36; font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eMilk Fed\u003c\/i\u003e, the debut album by Oakland five-piece Body Double, emerged from a period of intense grief and transition for singer, songwriter and multi-instrumentalist Candace Lazarou. Her previous group, underground noise rock outfit \u003ca href=\"https:\/\/www.zumonline.com\/products\/mansion-early-life-lp\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" target=\"_blank\"\u003eMansion\u003c\/a\u003e, disbanded acrimoniously in 2016, months before the Ghost Ship fire forever changed Bay Area DIY. At the same time, Lazarou also began disentangling herself from long-term relationships both interpersonal and with drugs. Lazarou withdrew into her bedroom, creating material about intimacy and consent in the arch style of a drag mass attended by Brian Eno and Al Jourgensen. (One discarded band name? Knights in Black Leather.) After being confined to vocals in Mansion, Lazarou savored creative control, indulging in dramatic arrangement and hooks, and then found a collaborator in bassist and cowriter Noah Adams. The band name Body Double sums another prominent theme of unstable identity, while Milk Fed reflects the winking camp of Lazarou’s grand guignol imagery. Lazarou, also previously of post-punk group Pang, played most of the instruments on Milk Fed herself, recording intermittently at Tunnel Vision studios in downtown Oakland with co-producer Jason Kick beginning in 2017. Chase Kamp of Silver Shadows and Jeff Cook of Mansion drum on the album. \u003c\/p\u003e\n\u003cp\u003e- Sam Lefebvre\u003c\/p\u003e\n\u003cp\u003e\u003ci style=\"color: #212b36; font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003c\/i\u003e\u003ca href=\"https:\/\/localnewsmatters.org\/2020\/11\/03\/split-selves-body-double-frontwoman-candace-lazarou-explains-the-oakland-bands-debut-album-milk-fed\/\"\u003einterview for Local News\u003c\/a\u003e \u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":45976290001063,"sku":"zum037","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/Body_Double_-_Milk_Fed_-_3000.jpg?v=1618775191"},{"product_id":"high-castle-spirit-of-the-west-lp","title":"High Castle - Spirit Of The West LP","description":"\u003cp\u003eZum032 LP\u003c\/p\u003e\n\u003cp\u003eHigh Castle\u003c\/p\u003e\n\u003cp\u003eSpirit of the West\u003c\/p\u003e\n\u003cp\u003eincludes 11\"x17\" poster\/lyric sheet\u003c\/p\u003e\n\u003cp\u003eFirst album from Bay Area power trio embraces its inner punk beast, wrestling it into submission and teaching it new tricks. Retaining the muscularity of their first EP \"You're On Your Own Way\" but cleaned up and presented as a whole thematic body. Carving out autonomy in the midst of wasteland squalor, High Castle knows your plight. Paranoia and bad attitude permeate the record, carpooling to the riots while their peers choose to crisp themselves on corporate beach towels. The black circular saw on the cover speaks for the content within, a destiny manifested tooth by jagged tooth. High Castle eschews lectures and overt philosophy talk, but naming themselves after a Phillip K Dick novel lets you know where they're coming from. \"Crustaceans Demise\" and \"We Were Lovers\" are ballads for a postapocalyptic affair gone awry, thrones usurped and food pyramids collapsed.\u003c\/p\u003e\n\u003cp\u003eGuitarist Erin Allen (Straight Crimes), Bassist Wilson Drozdowski (Duchesses, Woman's Worth) and powerhouse drummer Shaggy Denton (Hips, Sunny Reaper) all contribute vocals, a secret weapon that comes to the fore on \"Innocence.\" Though Allen insists \"punk is not a virtue,\" there are sprinklings of Minutemen and Wire in the DNA, although their contemporaries might be Shearing Pinx and Cacaw.\u003c\/p\u003e\n\u003cp\u003eEleven songs tracked by Jacob Felix Heule (Ettrick, Barn Owl) at New, Improved Recordings in Oakland, CA mixed by Heule and the band. The back cover features a painting by the art-collab \"Club Paint\" (Erin Allen, Keith Boadwee and Isaac Gray).\u003c\/p\u003e\n\u003cp\u003eTRACK LISTING\u003c\/p\u003e\n\u003cp\u003e1. Swamp Thing\u003c\/p\u003e\n\u003cp\u003e2. Innocence\u003c\/p\u003e\n\u003cp\u003e3. We Were Lovers\u003c\/p\u003e\n\u003cp\u003e4. Bee Medal\u003c\/p\u003e\n\u003cp\u003e5. Crustaceans Demise\u003c\/p\u003e\n\u003cp\u003e6. After God\u003c\/p\u003e\n\u003cp\u003e7. Farewell To Limbs\u003c\/p\u003e\n\u003cp\u003e8. Half Mass\u003c\/p\u003e\n\u003cp\u003e9. Son Of A Sinner\u003c\/p\u003e\n\u003cp\u003e10. All Ages Nightmare\u003c\/p\u003e\n\u003cp\u003e11. Super Gu\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"http:\/\/player.vimeo.com\/video\/31238374?byline=0\u0026amp;portrait=0\" width=\"400\" height=\"265\" frameborder=\"0\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHigh Castle's \"Bee Medal\". From their full length album \"Spirit of the West\" out on Zum Recordings.\u003cbr\u003eDirected and Edited by Shaggy Denton, drummer of High Castle.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709063872679,"sku":"zum032","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/5956278248_22e9d86e5f_o.jpg?v=1618775196"},{"product_id":"high-castle-youre-on-your-own-way-12","title":"High Castle - You're On Your Own Way 12\"","description":"\u003cp\u003eHIGH CASTLE \"You're On Your Own Way\" zum026\u003c\/p\u003e\n\u003cp\u003eOne-sided 12\" EP INCLUDES DOWNLOAD CODE\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/pitchfork.com\/reviews\/tracks\/11418-high-castle-filth\/\"\u003ePitchfork review by Marc Masters\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eHailing from different corners of the noisier spectrum of Southern California bands (Straight Crimes, Duchesses, Woman's Worth, Work, Hips, and Saboteurs), we signed them not on the strength of their pedigrees but on the bona fides of a suckerpunch live delivery and one self-released CDR. High Castle (Wilson Drozdowski, Erin Allen, Shaggy Denton) is your older brothers' favorite band, assuming he grew up on a steady diet of '90s underground rock. They produce a viscous byproduct of the jams you grew up on dragged through a record collection's worth of sludge and muck. Once you decide to bring it, that's kinda the only way to go. The \"You're on Your Own Way\" EP is the debut record for High Castle. Songs about garbage strikes, astral projection, lonely security guards, hedonism, dropping out, meditation, injustice, misplaced hearts...and more. Seven short bursts of salvation, single-sided 12\" pressing of 500, mastered by Weasel Walter.\u003c\/p\u003e\n\u003cp\u003eTwo color silkscreened covers by Paul Morgan.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"The new High Castle 12\" EP is pretty brutal throughout, metal and HC tinged, but it still finds these weird little spazzy, jazzy grooves in spots. Maybe it's art rock? Whatever you want to call it, it's getting some turntable time, and with a song titled 'Are Fixed Gear Tricksters the New Rollerbladers?' I think you get an idea where they stand.\"\u003c\/i\u003e -THRASHER\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064102055,"sku":"zum026","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/3663113859_02362c3d77.jpg?v=1618775202"},{"product_id":"weird-weeds-hold-me-lp","title":"Weird Weeds - Hold Me LP","description":"\u003cp\u003eZum024LP\u003c\/p\u003e\n\u003cp\u003evinyl version of the CDR \"Hold Me\" debut album\u003c\/p\u003e\n\u003cp\u003eCover art by Lauren Pakradooni\u003c\/p\u003e\n\u003cp\u003eEdition of 300 black vinyl\u003c\/p\u003e\n\n\n\u003cp\u003eDrowned in Sound review by Mike Diver:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A sun-kissed swathe of country guitar; a delicately plucked companion piece running rings around desert cacti and the bleached skeletons of innumerable lost souls; a sole chime of a triangle: The Weird Weeds’ music - lusciously captivating without ever resorting to overblown tendencies - is both as weird as their band name would imply and as gorgeous as anything sold under the current genre-de-jour of ‘free folk’. It is both stripped naked and full of body; spiritually fulfilling and foot-tappingly catchy. It is, simply, great. ...there will be songs here that sound like nothing your ears have ever heard before. If that’s not a recommendation then I’ve no idea what is. Under expansive skies of purest blue and above ground cracked into sinewy veins by the unforgiving sun, these songs come alive. They live, and breathe, like you or I; don’t stifle them, encourage them out of their magical world of mystery and into your home. Once there, you’ll never want them gone. 9 \/ 10\"\u003c\/em\u003e\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064167591,"sku":"zum024","price":9.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum024LP.jpg?v=1618775205"},{"product_id":"scary-mansion-every-joke-is-half-the-truth-cd","title":"Scary Mansion - Every Joke Is Half the Truth CD","description":"\u003cp\u003eLeah Hayes's melodies are always beautifully wrought and melancholy, and her voice has the expressiveness and simplicity of Will Oldham or Cat Power. Scary Mansion has toured with Kyp Malone of TV On The Radio, and sings on the critically-acclaimed \"Return to Cookie Mountain\". Earlier in her career, she was half of the noise-rock duo Satan's Fingers, along with frontman David Ivar of the group Herman Dune. Hayes released \"Funeral of the Heart\", a graphic novel on Fantagraphics, and did the cover art for Ryan Adams and the Cardinals' LP. Every Joke Is Half the Truth (zum023) is Scary Mansion's debut album produced by Kaia Fischer (Rainer Maria). Licensed in Europe to Talitres Records. \u003ca href=\"http:\/\/www.indiebound.org\/book\/9781560978886?aff=geochen\"\u003e\u003cbr\u003eLeah Hayes' book\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Hayes moves her trembling yet strong voice through a variety of dramatic settings: stark piano and drums ('Yer Mom'), guitar and consoling violin ('Scum Inside'), bedroom noise-rock ('Captan') and noirish roots-pop ('Sorry We Took All Your Money'). Scary Mansion’s vibe is sort of goth, and it’s the sort of that’s key: Though Hayes’s songs (and accomplished artwork) show a flair for the dark side, she comes off as more clear-eyed and resolute than downcast.\" —Mike Wolf, TIME OUT NY \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1 Captan \u003c\/p\u003e\n\u003cp\u003e2 Go to Hell\u003c\/p\u003e\n\u003cp\u003e3 Sorry We Took All Yr Money\u003c\/p\u003e\n\u003cp\u003e4 Scum Inside\u003c\/p\u003e\n\u003cp\u003e5 Sharkish Sea\u003c\/p\u003e\n\u003cp\u003e6 New Hampshire\u003c\/p\u003e\n\u003cp\u003e7 Intro\u003c\/p\u003e\n\u003cp\u003e8 Shame\u003c\/p\u003e\n\u003cp\u003e9 Yer Mom\u003c\/p\u003e\n\u003cp\u003e10 Unwise\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064233127,"sku":"zum023CD","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/scary_mansion_cover.jpg?v=1618775205"},{"product_id":"abe-vigoda-mikaelas-fiend-7","title":"Abe Vigoda \/ Mikaela's Fiend 7\"","description":"\u003cp\u003eZum021\u003c\/p\u003e\n\u003cp\u003eAbe Vigoda have toured the US multiple times, earning accolades from all corners (The Fader, Paper Thin Walls, Chicago Reader) and spreading their hybridized version of punk to the basement faithful. \"World Heart\" brings the Chino, CA quartet's ambition and melodic invention to the next level. They have albums out on OlFactory and Post Present Medium, along with numerous 7\"s. Their newest album is available on Post Present Medium. Mikaela's Fiend have been wowing basements and youth centers since forming as teenagers in 2003. Cousins Chris Ando and Donnie Shoemaker utilize a blast of woolly processed guitar and Shoemaker's herculean beats. Their early 7\"s sold quickly on legendary live shows and word of mouth, leading to an album \"We Can Driving Machine\" on Strictly Amateur Films. Their most recent recorded output is a split EP with Twin (fka King Cobra, ex-NEED).\u003c\/p\u003e\n\u003cp\u003eFirst pressing of 500 on black vinyl with silkscreened covers by Matt Hart is sold out, so we re-pressed 300 on colored vinyl with Halloween-y black and orange offset covers.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Abe Vigoda \/ Mikaela's Fiend 7\" (2nd pressing)","offer_id":39709064298663,"sku":"zum021-RPRS","price":3.95,"currency_code":"USD","in_stock":false},{"title":"Abe Vigoda \/ Mikaela's Fiend 7\" (1st pressing)","offer_id":45701457576103,"sku":"","price":3.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum021REPRESS.jpg?v=1618775205"},{"product_id":"zum-audio-volume-3-cd","title":"Zum Audio Volume 3 CD","description":"\u003cp\u003ezum020 CD\u003c\/p\u003e\n\u003cp\u003eMastering by Weasel Walter, cover artwork collaboration by George Chen and Sarah \"Lart\" Lannan in a gatefold sleeve from Pinball Press in Portland.\u003c\/p\u003e\n\u003cp\u003eWarehouse find!\u003c\/p\u003e\n\u003cp\u003eJust discovered a grip of these so we're marking them down for you!\u003c\/p\u003e\n\u003cp\u003e*some tracks that are not available on streaming!!!\u003c\/p\u003e\n\u003cp\u003eTracks from :\u003c\/p\u003e\n\u003cp\u003eChannels 3 \u0026amp; 4 (members of Shearing Pinx)\u003c\/p\u003e\n\u003cp\u003eBeak Full of Rubies\u003c\/p\u003e\n\u003cp\u003eCoughs\u003c\/p\u003e\n\u003cp\u003eChild Abuse\u003c\/p\u003e\n\u003cp\u003eJohn Wiese\u003c\/p\u003e\n\u003cp\u003eSilver Daggers\u003c\/p\u003e\n\u003cp\u003eLakes (Melbourne, Australia's Sean Bailey)\u003c\/p\u003e\n\u003cp\u003eTG (France)\u003c\/p\u003e\n\u003cp\u003eHuts (Nathan Burazer of Tussle)\u003c\/p\u003e\n\u003cp\u003eAntifamily (UK, featuring Agnese Trocchi on vocals)\u003c\/p\u003e\n\u003cp\u003eKIT\u003c\/p\u003e\n\u003cp\u003eMicose and the Mau Maus\u003c\/p\u003e\n\u003cp\u003eStefan Udell (Beans)\u003c\/p\u003e\n\u003cp\u003eAxolotl\u003c\/p\u003e\n\u003cp\u003eBromp Treb (from Fat Worm of Error)\u003c\/p\u003e\n\u003cp\u003eWe Quit\u003c\/p\u003e\n\u003cp\u003eCan't (Jessica Rylan)\u003c\/p\u003e\n\u003cp\u003eDeerhoof (live track)\u003c\/p\u003e\n\u003cp\u003eMy Little Red Toe\u003c\/p\u003e\n\u003cp\u003eDim Diamond (Avi Cohen from Soiled Mattress and the Springs, Silk Flowers)\u003c\/p\u003e\n\u003cp\u003eYellow Swans\u003c\/p\u003e\n\u003cp\u003eShoplifting\u003c\/p\u003e\n\u003cp\u003eGhost to Falco\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064331431,"sku":"zum020","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum020lores.jpg?v=1618775208"},{"product_id":"the-lowdown-y-is-a-crooked-letter-cd","title":"The Lowdown - Y Is A Crooked Letter CD","description":" The Lowdown from Santa Cruz, CA, follow up their much beloved Revolver II with the sandblast sounds of Y is a Crooked Letter (zum015). This sophomore album is chock full (16 tracks) of the unstable psychedelic sounds and dance punk that have become the calling card of the Lowdown. Combining woodland magic and busted electronics circa 1997-2003. Other band affiliations include St. Joseph and the Abandoned Food, Whysp, The Art Museums, Sic Alps, 6 Organs Of Admittance, and Comets on Fire.\n\u003cp\u003e1 Sfdario\u003c\/p\u003e\n\u003cp\u003e2 Smooth Hall\u003c\/p\u003e\n\u003cp\u003e3 Cyclops\u003c\/p\u003e\n\u003cp\u003e4 I'll Turn Your Blood Into Ants\u003c\/p\u003e\n\u003cp\u003e5 Soh Toh Rah Mah\u003c\/p\u003e\n\u003cp\u003e6 Ass Dragger \u0026amp; The Acid Dragon\u003c\/p\u003e\n\u003cp\u003e7 Fuck Your Moves Dancehall Reprise\u003c\/p\u003e\n\u003cp\u003e8 Horror Dog\u003c\/p\u003e\n\u003cp\u003e9 Fuck You Revolution\u003c\/p\u003e\n\u003cp\u003e10 Garble Yarb\u003c\/p\u003e\n\u003cp\u003e11 Total Shutup\u003c\/p\u003e\n\u003cp\u003e12 Young Lovers\u003c\/p\u003e\n\u003cp\u003e13 Balmies\u003c\/p\u003e\n\u003cp\u003e14 Yay, Yay, Hooray\u003c\/p\u003e\n\u003cp\u003e15 Clangers\u003c\/p\u003e\n\u003cp\u003e16 My Friend Sue\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064364199,"sku":"zum015","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum015.jpg?v=1618775212"},{"product_id":"growing-mark-evan-burden-cd","title":"Growing \/ Mark Evan Burden CD","description":"\u003cp\u003eZum019 CD\u003c\/p\u003e\n\u003cp\u003eGrowing are well-known to experimental music audiences for their albums on the venerable Kranky imprint and Michigan's Animal Disguise, as well as Troubleman Unlimited. The duo of Kevin Doria and Joe Denardo have drawn comparisons to the minimalist works of Birchville Cat Motel, LaMonte Young, and Brian Eno. This recording, \"Firmament\", is from a 2002 session and explores a warm drone.\u003c\/p\u003e\n\u003cp\u003eMark Evan Burden's solo recording is a composition of electronics and piano. His 15 minute piece is a roiling, percussive powerhouse that conjures up John Cage and Conlon Nancarrow. The Portland, OR-based musician and Alaska native was formerly the organist for Get Hustle and drummer for Glass Candy. He releases albums on his own Celestial Gang label under the moniker Silentist, an exploration of the heavier side of his compositional interests with drums, guitar, and piano. He was in the groups Litanic Mask and Dangerous Boys Club.\u003c\/p\u003e\n\u003cp\u003e12\" vinyl version of this release came out in 2006 through This Generation Tapes from Southern California.\u003c\/p\u003e\n\u003cp\u003eThe CD was also available in Europe via Xeng\/Heroin Records with alternate artwork and packaging.\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064429735,"sku":"zum019","price":3.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1137359402_10.jpg?v=1619907491"},{"product_id":"p-ano-the-den-cd","title":"P:ano - The Den CD","description":"\u003cp\u003eSecond full-length CD from Vancouver's symphonic pop mavericks led by Nick Krgovich\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTrack list\u003c\/p\u003e\n\u003cp\u003e1 F***ing Ugly Bouffant 2:09\u003c\/p\u003e\n\u003cp\u003e2 Working 1:41\u003c\/p\u003e\n\u003cp\u003e3 We'll Go In Character Together 4:05\u003c\/p\u003e\n\u003cp\u003e4 Arguing 2:32\u003c\/p\u003e\n\u003cp\u003e5 L.D. 3:37\u003c\/p\u003e\n\u003cp\u003e6 Failure 4:33\u003c\/p\u003e\n\u003cp\u003e7 Loud Son 5:41\u003c\/p\u003e\n\u003cp\u003e8 Flowers (Don't You Bring Me No) 2:33\u003c\/p\u003e\n\u003cp\u003e9 After School Special (Kvos Tv 12) 4:17\u003c\/p\u003e\n\u003cp\u003e10 Noni Song 3:34\u003c\/p\u003e\n\u003cp\u003e11 New Son 6:51\u003c\/p\u003e\n\u003cp\u003e12 The Worst Thing Ever You Could Do 4:08\u003c\/p\u003e\n\u003cp\u003e13 Across The Street, Desert Plants 2:31\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"Lush is a word that music critics use entirely too often, but one would be hard-pressed to find a more accurate adjective to describe the latest p:ano album. To flesh out the uniformly slow, sad songs on The Den, the Vancouver four-piece recruited 18 guest musicians. Among that number are some of the city's finest players, including cellist Peggy Lee, singer Veda Hille, and multi-instrumentalist Stefan Udell (of the Beans). As a result, tracks such as 'L.D.' and 'The Worst Thing You Could Ever Do' are laden with strings, brass, and choirlike backing vocals. In the wrong hands, this could be a recipe for an overwrought mess, but the arrangements here are surprisingly uncluttered, leaving plenty of space for the songs' simple melodies. Singer Nick Krgovich mutters these in such an offhand way that you have to listen closely to realize that he's saying things like, 'How nice it would be for something tragic to happen.' If The Den barely resembles the sound that p:ano achieves live as a quartet, that's beside the point. As an exercise in studio-based orch-pop, the album is a rich, if thoroughly melancholic, success.\"\u003c\/i\u003e -John Lucas, STRAIGHT\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064495271,"sku":"zum018","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum018.jpg?v=1618775210"},{"product_id":"intima-no-lullaby-for-sleep-cd","title":"The Intima - No Lullaby for Sleep CD","description":"The Intima from Portland\/Olympia crafted an angular masterpiece in their No Lullaby for Sleep CD EP (zum011). The four-piece of brothers Andrew (guitars\/vocals) and Alex (drums), Nora (violin\/vocals), and Themba (bass) intelligently punk it up with jagged walls of sound. This seven-song EP was recorded at the legendary AVAST! studio in Seattle and is equal parts tension, violin stabs, and social acuity. other credits: The first 7\" on Post Present Medium, track on the Troubleman Mix-Tape, live EP \u003ci\u003eUnder the Wire\u003c\/i\u003e on Yo Yo Recordings.","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064626343,"sku":"zum011","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum011_cropped.jpg?v=1618775219"},{"product_id":"beans-crane-wars-lp","title":"Beans - Crane Wars LP","description":"\u003cp\u003e[Warehouse find! One CD copy still shrink-wrapped]\u003c\/p\u003e\n\u003cp\u003eOnly vinyl remains in stock. For digital version, purchase from \u003ca href=\"http:\/\/itunes.apple.com\/us\/album\/crane-wars\/id41712208\"\u003eiTunes\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003eVancouver's Beans take improv sketches of profound beauty and simplicity into a realm that is distinctly theirs. Described by some as the best working band in Canada, the Beans have released the well-received Portage full-length ( Zulu) and 2000's Tired Snow EP (zum009). The five members of this Vancouver collective seamlessly blend spontaneity with studio mastery. Their latest full-length, Crane Wars (zum012-LP and CD), nests in the overlap between the organic and inorganic, technology and nature. There are clashes and closure between samples, clarion trumpet, guitars, accordion, vocals, piano and beats. Melodic explorations and textural nuances catch your breath like anything that is beautiful and inexplicable. \u003ca href=\"http:\/\/www.rockbites.com\/newsByMonth\/2001July\/2001July31-1.html\"\u003eThe group performed for 48 Hours straight\u003c\/a\u003e. They've also been commissioned to perform a site specific composition for New Music Vancouver.\u003c\/p\u003e\n\u003cp\u003eAndrew Herfst | Drums \/ Loops \/ Sound Effects\u003c\/p\u003e\n\u003cp\u003eTygh Runyan | Guitar \/ Sound Effects \/ Vocals\u003c\/p\u003e\n\u003cp\u003eStefan Udell | Guitar\u003c\/p\u003e\n\u003cp\u003eDamon Henry | Bass\u003c\/p\u003e\n\u003cp\u003eIda Nielson | Trumpet \/ Piano \/ Accordian \u003c\/p\u003e","brand":"Zum","offers":[{"title":"LP","offer_id":39709064659111,"sku":"zum012LP","price":9.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":39709064691879,"sku":"zum012CD","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/41RP0VAQ55L._SL500_AA240.jpg?v=1618775212"},{"product_id":"beans-tired-snow-cd","title":"Beans - Tired Snow CD","description":"\u003cp\u003eBeans - Tired Snow EP CD (zum009)\u003c\/p\u003e\n\u003cp\u003eVancouver BC's The Beans bust forth with some of their country's best indie post-rock of late. They take improv sketches of profound beauty and simplicity into a realm that is distinctly theirs. Cohorts such as Godspeed You Black Emperor! and Do Make Say Think work in similar territory -- filmic and epic but also particularly Canadian. With a previous album on the Canadian Zulu label (affiliated with the legendary record store) and favorable reviews of their live performances, the \"Tired Snow\" EP is essential listening.\u003c\/p\u003e\n","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064757415,"sku":"zum009","price":4.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum009.png?v=1618775213"},{"product_id":"nuzzle-junk-of-myth-cd","title":"Nuzzle - Junk of Myth CD","description":"\u003cp\u003e\u003cstrong\u003e\"...\u003cmeta charset=\"utf-8\"\u003edense with growling guitars and Dalton's one-\u003cwbr data-mce-fragment=\"1\"\u003eshoe-\u003cwbr data-mce-fragment=\"1\"\u003eon-\u003cwbr data-mce-fragment=\"1\"\u003eone-\u003cwbr data-mce-fragment=\"1\"\u003eshoe-\u003cwbr data-mce-fragment=\"1\"\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eoff, Angry Young Madman yelps...\"\u003c\/strong\u003e - \u003ca href=\"https:\/\/www.salon.com\/1999\/11\/19\/nuzzle\/\" target=\"_blank\" title=\"Salon review by Mac Montandon\" rel=\"noopener noreferrer\"\u003e\u003cem\u003eSalon\u003c\/em\u003e\u003c\/a\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eZum, in conjunction with Sound on Sound, is proud to bring you the CD anthology of Nuzzle's out-of-print vinyl releases.\u003c\/p\u003e\n\u003cp\u003eJunk of Myth '92-'95 (zum008\/SND-4) combines the Follow for Now LP (originally on Youth Strike Chord), three 7\"s (with recordings by Gravity Records honcho Matt Anderson), and bonus unreleased tracks. The Follow For Now recordings have all been re-mixed and re-mastered from their original source tape.\u003c\/p\u003e\n\u003cp\u003eNuzzle's legacy has been chronicled in appearances at the first Yo Yo a Go Go, KXLU live compilation, and the tribute to the Minutemen \"Our Band Could Be Your Life.\" Cover art by Paul Costuros. \"Follow, For Now\" remixed by Michael Piamanti and Kid Bolton with Simon Fabela and George Chen, Santa Cruz 6\/28\/00\u003c\/p\u003e\n\u003cp\u003eMastered by Jamie Stewart\u003c\/p\u003e\n\u003cp\u003esubsequent projects include The Dying Californian and The Skin Horse\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":41870402027687,"sku":"zum008","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/junk.jpg?v=1618775213"},{"product_id":"giardini-di-miro-giardini-di-miro-cd","title":"Giardini Di Mirò ‎– Giardini Di Mirò CD","description":"\u003cp\u003ewarehouse find! last copies!\u003c\/p\u003e\n\u003cp\u003eGiardini Di Mirò ‎– Giardini Di Mirò CD zum 006 ‎\/ gdm 003\u003c\/p\u003e\n\u003cp\u003eTracklist\u003c\/p\u003e\n\u003cp\u003e1 Dancemania 6:28\u003c\/p\u003e\n\u003cp\u003e2 Vintage Lover 2:03\u003c\/p\u003e\n\u003cp\u003e3 Pearl Harbor 7:09\u003c\/p\u003e\n\u003cp\u003e4 Space 04 1:09\u003c\/p\u003e\n\u003cp\u003e5 Tom (ahawk) Cruise 8:28\u003c\/p\u003e\n\u003cp\u003eCompanies, etc. Mastered At – Alias Studio Credits Mastered By – Luca D.M.* Recorded By, Mixed By – Luca P* Violin – Emanuele R.* (tracks: 3, 5) Written By, Recorded By, Mixed By, Performer – Corrado N.*, Jukka R.*, Lorenzo L.*, Luca D.M.*, Mirko V.* Notes Recorded and mixed in February '99 in Cavriago (Re). Mastered at Alias Studio.\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064855719,"sku":"zum006","price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/gdm.jpg?v=1618775222"},{"product_id":"outhud-cd","title":"!!! \/ OutHud CD","description":"\u003cp\u003eOriginally co-released with GSL as a 12\" in 1999, this slimline case CD version contains all the tracks that excited us about this Sacramento sibling rivalry\/revelry, two bands that shared three members.\u003c\/p\u003e\n\u003cp\u003eOut Hud's side is three tracks exploring the minimalist dub \/ punk hybrid inspired by early On-U-Sound and ESG. !!! set the template for all their jams to come with the 11 minute long \"Instinct\", a dancefloor starter if ever there was one to emerge from Sacramento. \u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064888487,"sku":"zum007CD","price":4.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/OuthudZum007.jpg?v=1618775216"},{"product_id":"sea-scouts-word-as-a-weapon-7","title":"Sea Scouts - Word As A Weapon 7\"","description":"\u003cp\u003eLAST COPIES!\u003c\/p\u003e\n\u003cp\u003eWe are very pleased to bring you Sea Scouts' \"Word as a Weapon\" 7\" (zum005). The Sea Scouts were a stunning group from Tasmania in the vein of early Sonic Youth crossing moments of beauty with overwhelming bleakness and doom. Members went on to form Love of Diagrams, Baseball, Bird Blobs, Coconuts, Bogan Dust, and Ruins (Tasmania) and are legendary in the Melbourne rock universe. This is their only widely available US release and also the only 7\" they ever did, pressed for their 1999 US tour, and perhaps the most \"pop\". Artwork by Tim Evans. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ereleased Aug 20, 1999\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cem\u003e\"Forceful drumming, scribbled guitar patterns and vocals that range from slacker apathy to strangled screams fill 'Word As a Weapon' with the punch and the momentum of an Aussie football match. Likewise, 'Destroy Your Local McDonald's' reverberates with tribal percussion and screechy, in-your-face boy\/girl voices. Judging by the hooky-yet-sludgy charms of this 45, the Sea Scouts are a delightful little find.\" - Kelso Jacks, CMJ\u003c\/em\u003e\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064954023,"sku":"zum005","price":3.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum005_cover_3000copy.png?v=1679210644"},{"product_id":"nuzzle-no-mas-7","title":"Nuzzle - No Más 7\"","description":"\u003cp\u003eTwo songs here, \"No Más\" (another version of which is on the \"San Lorenzo's Blues\" album) and \"The Word #2\", one of the few tracks from that era that Nate sings on.\u003c\/p\u003e\n\u003cp\u003eThe story behind this record - Nuzzle recorded the songs that eventually made it onto \"San Lorenzo's Blues\" with Andy Radin. This was the demo that was sent to Die Young Stay Pretty but passed on. These tracks were recorded at the Stanford campus at CCRMA in '96. We asked them about compiling all their vinyl tracks on a CD, which is what ended up being \"Junk of Myth\", but in the interim they offered for me to release these songs as a 7\". \"The Word #2\" is part of a track that was on the original \"Follow For Now\" LP that is oddly not included in Junk of Myth. For some reason it was not on the original tape reel.\u003c\/p\u003e\n\u003cp\u003eThis was a co-release with Yakamashi and Sound on Sound, and the first vinyl Zum ever released back in 1999.\u003c\/p\u003e\n\u003cp\u003eThis is a different mix than the \u003ca href=\"https:\/\/loudhacker.net\/news\/solid-brass-records-announces-previously-unreleased-nuzzle-lp-listen-to-the-first-single-no-mas\/\" target=\"_blank\"\u003enewly announced\u003c\/a\u003e Solid Brass release, which is all mastered and mixed tracks from the Stanford Sessions. We are excited for these to exist in tandem.\u003c\/p\u003e\n\u003cp\u003ePhoto of Andrew on the cover were taken by Mike Cancel, and the back cover photo (which some of us would have preferred as the front cover) was taken by Matt Roberts. The handwritten text all over was done by Chuck Pettry.\u003c\/p\u003e\n\u003cp\u003eMy favorite graphic element of this record was the label itself, which was designed by Josh Baker.\u003c\/p\u003e\n\u003cp\u003eThe jackets are really nice, pressed at Dorado, and the vinyl was mastered by George Horn. A real slice of its time. \u003c\/p\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":39709064986791,"sku":"zum003","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0949319778_10.jpg?v=1642287216"},{"product_id":"zum-issue-10-w-zum-audio-vol-1-cd","title":"Zum 10 magazine w\/ Zum Audio Vol 1 CD","description":"\u003cp\u003e*[OUT OF MAGAZINES - WE SHIP THE CD ON ITS OWN]\u003c\/p\u003e\n\u003cp\u003e74-minute compilation cd with tracks from\u003c\/p\u003e\n\u003cp\u003eBoyracer, Bunnygrunt, Cars Get Crushed, Cole, Danger G20, The Great Brain, June Of 44, Kublai Khan, Lullaby For The Working Class (Mike Mogis of Saddle Creek), Lustre King, The Raymond Brake (Andy Cabic from Vetiver), Retriever, Strictly Ballroom (members of Beachwood Sparks, The Postal Service), Sweep The Leg Johnny, Transitional, Tullycraft (covering Jonathan Richman), and Vehicle Flips.\u003c\/p\u003e\n\u003cp\u003e*disc contains tracks that are not available on streaming services\u003c\/p\u003e\n\n\u003cp\u003eZUM #10 - 1997\u003c\/p\u003e\n\u003cp\u003e52 pages with a beautiful cover (art by Jon Pruett, letter-pressed at Chicago's Fireproof Press). Interviews with Built To Spill, Devo, Joan Of Arc, and Snuff. Reviews of Terrastock and the Smiths convention. Thoughts on work. A look at the cult of Ching Hai. An intro to video game emulation. Ruminations on zines. Party games. Comics. Music and zine reviews. Printed with vegetable ink on recycled paper.\u003c\/p\u003e","brand":"Zum","offers":[{"title":"Magazine \u0026 CD","offer_id":39709065085095,"sku":"","price":3.0,"currency_code":"USD","in_stock":false},{"title":"CD Only","offer_id":39709065117863,"sku":"zum001CD","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/zum001cd.png?v=1618775220"},{"product_id":"devin-gary-ross-bigfoot-7","title":"Devin, Gary \u0026 Ross - Bigfoot 7\"","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDevin , Gary \u0026amp; Ross - Bigfoot \/ Path Throught the Forest 7\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSFTRI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis 7-inch serves as a companion release to the trio's LP 'Fog Window'. Gary Panter's first musical outing in quite a few years is recommended to those of you who fancy a pscyhedelic take on the weirdness of The Residents!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ILD","offers":[{"title":"Default Title","offer_id":39846112886951,"sku":"SFTRI 799","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/51WqPxoROLL._SY355.jpg?v=1619715924"},{"product_id":"p-ano-brigadoon-cd","title":"P:ano - Brigadoon CD","description":"\u003cdiv id=\"block-system-main\" class=\"block block-system block-odd first last clearfix\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"block-inner\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"node-1060\" class=\"node node-artist node-odd\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"node-inner\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"content\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"field field-name-body field-type-text-with-summary field-label-hidden\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"field-items\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"field-item even\" data-mce-fragment=\"1\" property=\"content:encoded\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBrigadoon\u003c\/em\u003e was the third full-length album from Vancouver-based pop practitioners P:ano, and the first released by Mint. P:ano's first two albums found a band working to find a voice of its own in contemporary indie rock. As it turned out, P:ano's voice was uniquely eclectic, idiosyncratically engaging a diversity of musical and thematic interests.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis restless creativity was exactly what it meant to be P:ano, eschewing one sound for a multitude of sounds, taking up whatever was musically contingent when necessary. Even back when they first began, P:ano already sounded like more than just a collection of their audible influences, which included \u003cstrong data-mce-fragment=\"1\"\u003eThe Beach Boys\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eYo La Tengo\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eLow\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eThe Magnetic Fields\u003c\/strong\u003e, and \u003cstrong data-mce-fragment=\"1\"\u003eThe Microphones\u003c\/strong\u003e. No matter what influences they drew upon, \u003cem data-mce-fragment=\"1\"\u003eBrigadoon\u003c\/em\u003e proved that the sum was truly greater than its parts.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhere their previous releases hosted many guest players, \u003cem data-mce-fragment=\"1\"\u003eBrigadoon\u003c\/em\u003e featured only the multitalented core band of Nick Krgovich, \u003ca href=\"http:\/\/mintrecs.com\/index.php?component=artists\u0026amp;action=profile\u0026amp;tag=Kellarissa\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/mintrecs.com\/index.php?component=artists\u0026amp;action=profile\u0026amp;tag=Kellarissa\"\u003eLarissa Loyva\u003c\/a\u003e, Justin Kellam, and Julia Chirka singing and playing all manner of instruments, from zither to drum machine to trumpet to handclaps. As such, \u003cem data-mce-fragment=\"1\"\u003eBrigadoon\u003c\/em\u003e was a kind of overdue debut of its own, and not only for Mint. The fully realized \u003cem data-mce-fragment=\"1\"\u003eGhost Pirates Without Heads\u003c\/em\u003e was released only six months later, but ultimately proved to be the group's final work before heading their separate ways.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"If there is such a thing as a nationally representative response, P:ano is Canada's answer to The Fiery Furnaces.\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e - Alan Ranta, \u003ca href=\"http:\/\/www.tinymixtapes.com\/music-review\/pano-brigadoon\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.tinymixtapes.com\/music-review\/pano-brigadoon\" target=\"_blank\"\u003eTinyMixTapes\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"These innocently amateurish Vancouver youngsters, led by 22-year-old songwriter Nick Krgovich, have pulled out all the indie pop stops on their third album, Brigadoon, which positively bursts with joy and candour over the course of its 22-song creative whirlwind.\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e - Kevin Hainey, \u003ca href=\"http:\/\/www.exclaim.ca\/musicreviews\/generalreview.aspx?csid2=850\u0026amp;fid1=18078\u0026amp;csid1=69\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/www.exclaim.ca\/musicreviews\/generalreview.aspx?csid2=850\u0026amp;fid1=18078\u0026amp;csid1=69\" target=\"_blank\"\u003eExclaim\u003c\/a\u003e!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"On the first few listens, the songs wash by, disembodied like an ocean. They pass over as a wave of ephemeral cleverness. Eventually strong, if eccentric, songwriting emerges...\"\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e - Marc Hogan, \u003ca href=\"http:\/\/pitchfork.com\/reviews\/albums\/6574-brigadoon\/\" data-mce-fragment=\"1\" data-mce-href=\"http:\/\/pitchfork.com\/reviews\/albums\/6574-brigadoon\/\" target=\"_blank\"\u003ePitchfork\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"links\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":39954274484391,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-2189110-1328243112_jpeg.jpg?v=1620753448"},{"product_id":"lars-finberg-tinnitus-tonight-lp","title":"Lars Finberg - Tinnitus Tonight LP","description":"\u003cp class=\"\"\u003e\u003cem\u003eTinnitus Tonight\u003c\/em\u003e is the latest \u0026amp; sneakiest full-measure serving from LARS FINBERG, world-class bon vivant and prolific Panic Rock artiste.  Why so sneaky?  Here’s the dirt:  Finberg developed a nerve rash leading up his 2017 tootle, the TY SEGALL-assisted \u003cem\u003eMoonlight Over Bakersfield\u003c\/em\u003e.   Rather than blindly leap from the comfy zone, he tip-toed in secret to a friendly but far-flung (cough*Sacramento*cough) studio to capture a reserve of slanted tunes with a proven-effective team of buds.  Those comrades – the glorious LAUREN MARIE MIKUS on keys, frequent collaborator \u0026amp; forever-gent KAANAN TUPPER on drums and, at the controls and elsewhere, the indestructible CHRIS WOODHOUSE – all fostered a supportive framework that first allowed Finberg to “think” beyond THE INTELLIGENCE, gearing him up for a life in the spotlight (or moonlight, as it were).  So yes indeed:  what appears to be an adventurous follow-up also doubles as a prequel.  Keep accurate score or you’re dusted.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe core of \u003cem\u003eTinnitus Tonight\u003c\/em\u003e centers on an assemblage of Finberg’s most golden riffs – trash-coustic but driftwood-smooth, naughty and infinite, all of ‘em bangers and\/or buggers.  Tunes sprout and move matador-like until an inevitable goring.  The past-it grunt that kicks off “Burger Queen” prompts a mimed chef’s kiss.  “My Prison” and “The Doors” are quintessential, truly distilled Finberg moments, compounding his trademark acerbic, out-for-blood wit with these absurdly cool, whip-crack guitars. The massively impressive “Public Admirer” is unequivocally the loudest, most damaged blurt from this doggie in at least a decade.  In total, \u003cem\u003eTinnitus\u003c\/em\u003e \u003cem\u003eTonight\u003c\/em\u003e is a wonderful and welcome reminder that our guy is a very real rouser and a vital, unique purveyor of artful aggression, playful and powerful. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFinberg beams really fuckin’ brightly under his own name, perhaps more so than with any group orchestration he happens to be braising with.  Do these higher personal stakes call for a dastardlier delivery?  Maybe this permeating 2020 End Times feeling prohibits the normal corralling of the subconscious mind?  Whatever the answers are, you will find them here.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Mitch Cardwell\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003eLimited to 500 copies, two-color vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003emtn-28 Lars Finberg \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTinnitus Tonight\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP\u003c\/span\u003e\u003c\/p\u003e","brand":"Mt. St. Mountain","offers":[{"title":"Default Title","offer_id":39956559921319,"sku":"mtn-28","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1364592128_10.jpg?v=1620777050"},{"product_id":"re-pulsion-cassette","title":"RE:Pulsion cassette","description":"\u003cdiv id=\"tracklist\" class=\"section tracklist\" data-toggle=\"tracklist\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"section_content\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section notes toggle_section    toggle_section_remember\" data-toggle-section-id=\"notes\" id=\"notes\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003eCompilation from Canada's Isolated Now Waves\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003eEdition of 130.\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMutators\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHustler White\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNight Wounds\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eParadise Island\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eN. 213\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eVholtz\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSlums\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShearing Pinx\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eNons\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eFxxxing Lion\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePre\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 class=\"toggle_section_control float_fix\" data-for=\".notes\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eMetalux\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom INW: \"This comp was originally assembled to be released as an LP back in 2007 but the $$ fell through and it slowly went by the wayside… Meanwhile most of the groups disbanded or fizzled away with the exception of a couple…… \u003cbr data-mce-fragment=\"1\"\u003eI think I was too stubborn to make a tape version back then, WTF!? \/\/\/ I wish I hadn’t… I always felt so guilty about this one, but it’s finally out and done! \u003cbr data-mce-fragment=\"1\"\u003eMany of these groups are dead but people in them went on to other great bands, solo projects etc….\"\u003c\/h3\u003e\n\u003c\/div\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":40040838693031,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/IMG_8946.jpg?v=1621298323"},{"product_id":"richard-youngs-regions-of-the-old-school-2lp","title":"Richard Youngs - Regions of the Old School 2LP","description":"\u003cp\u003eMIE 021\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe first-ever solo double LP by \u003c\/span\u003e\u003cb\u003eRichard Youngs\u003c\/b\u003e\u003cspan\u003e. After the mind-erasing and shamanic \u003c\/span\u003e\u003cu\u003eAmaranthine\u003c\/u\u003e\u003cspan\u003ereleased in January 2012, MIE is ecstatic to be working with Richard again on a true magnum opus of the Youngsian experimental catalog. \u003c\/span\u003e\u003cu\u003eRegions of the Old School\u003c\/u\u003e\u003cspan\u003e is an epic and proudly sprawling collection of instrumentals and songs. In a conceptual nod to the long out-of-print \u003c\/span\u003e\u003cu\u003eFestival\u003c\/u\u003e\u003cspan\u003e, released in 1994 by Table Of The Elements, it features five extended tracks scored for a diverse array of instruments with guest vocals by \u003c\/span\u003e\u003cb\u003eMadeleine Hynes\u003c\/b\u003e\u003cspan\u003e and additional synthesizer by \u003c\/span\u003e\u003cb\u003eNeil Campbell\u003c\/b\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cu\u003eRegions of the Old School\u003c\/u\u003e\u003cspan\u003e plunges you into the deep with the incredibly claustrophobic and tense \"Insomniac Takeover.\" Youngs declaims three words over and over while gongs and hand drums skitter over synths and long arcs of guitar feedback. The intense opener is a merciless ode to its namesake. The following track's opening chimes and undulating synths are sublime in their contrast to their predecessor, instead forming a gorgeous tune on a Moog Source with deep and sustained bass throughout. \"Celeste\" sees Madeleine Hynes on manipulated vocals alongside high-end frequencies contrasted with subdued percussion and gongs. This beautiful little paen brings the record to its epic focal point, \"The Thoughtlife.\" The track slowly reveals a mesmerizing piece with incredible juxtaposition of styles. Gongs, shakuhachi flute, and Neil Campbell's synthesizer weave in and out in perfect symbiosis and the arrival of a long drawn-out and stuttering sub-bass kick solidifies the zen-like quality of the track. \"My Love Holds the Galaxy in Her Heart\" is a perfect end to this incredible record, a tender and sweet song over metronomic percussion and glockenspiel at the other side of the musical spectrum to the first track. This sprawling yet flowing piece comes to a climax as Youngs' vocals give out suddenly to an extended caustic feedback-riddled guitar solo before falling silent. \u003c\/span\u003e\u003cu\u003eRegions of the Old School\u003c\/u\u003e\u003cspan\u003e is available in a run of 500 2LPs with stunning gatefold artwork by Madeline Hynes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Forced Exposure","offers":[{"title":"Default Title","offer_id":40629671133351,"sku":"MIE 021LP","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-5055907-1455062617-4891_jpeg.jpg?v=1625941596"},{"product_id":"the-acharis-blue-sky-grey-heaven-lp","title":"The Acharis - Blue Sky \/ Grey Heaven LP","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eThe Acharis - Blue Sky Grey Heaven\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eLP\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eCranes CR40 \/ Zum0039\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eFor mailorder \u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eoutside of North America\u003c\/strong\u003e\u003c\/span\u003e,\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003ego to \u003ca href=\"http:\/\/cranesrecords.bigcartel.com\" title=\"Cranes Records for worldwide mailorder\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCranes Records (EU, UK, rest of world)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eblack vinyl edition of 350\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eSince forming in 2015 in Oakland, CA, The Acharis have been a creative outlet for life partners Shaun Wagner (Credit Card) and Mila Puccini. After being in the Bay Area music scene for years in different bands, they decided to create something all their own. Trading off vocals and songwriting duties, they performed and recoded every instrument themselves on their 2017 debut ‘Lost in the Vortex.’ Their upcoming follow up album ‘Blue Sky \/ Grey Heaven’ finds them joining forces with the legendary producer John Fryer (Cocteau Twins , Depeche Mode, This Mortal Coil). The darker, more produced sound, along with their newly recruited full live band, deliver a spectrum of moods, ranging from fragile noise pop to fuzzed out shoegaze.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- Full live band for performances \/ touring (members of CCR Headcleaner, Daisy World) playing in Detroit and California\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e- song \"Nothing's Sacred\" on Zum Audio Vol 4\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Zum","offers":[{"title":"Default Title","offer_id":40939073044647,"sku":"zum039","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/acharis_blueskygreyheaven_cover.jpg?v=1632683865"},{"product_id":"kublai-khan-7","title":"Kublai Khan 7\"","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"main_2FbVC\"\u003e\n\u003csection data-mce-fragment=\"1\" class=\"section_9nUx6 open_BZ6Zt\" id=\"release-tracklist\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"content_1TFzi\"\u003e\n\u003cp\u003elong out-of-print Bay Area single on the short-lived but prolific chocolate river (deconstruction) label\u003c\/p\u003e\n\u003cp\u003ethree-piece group featuring Adheesh Sathaye (Jakarta, Out In Worship, Dhamaal Sound System, Chumley), Chandan Narayan (Carrom, Strawman, Jakarta, Winfred E Eye, Beak full of Rubies), Josh Kilbourn (Dragon Rojo, Severe Tire Damage)\u003c\/p\u003e\n\u003cp\u003eRecorded by Jeremy Goody\u003c\/p\u003e\n\u003cp\u003escreen printed covers.\u003c\/p\u003e\n\u003cp\u003eA Alexander the Great \u003c\/p\u003e\n\u003cp\u003eB1 Ricky \"The Dragon\" Steamboat\u003c\/p\u003e\n\u003cp\u003eB2 Popular Mechanics\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\n  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/drIKtg4EpUI?si=_WJ2nuKMTP6UFwpO\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\n\n\n","brand":"Legacy","offers":[{"title":"Default Title","offer_id":41793033666727,"sku":"","price":3.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-1196111-1199961899_gif.jpg?v=1642435178"},{"product_id":"blaine-todd-every-road-is-a-good-road-lp","title":"Blaine Todd - Every Road Is A Good Road LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e[MARKED DOWN - some seam splitting]\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eFull Spectrum \u0026amp; Debacle are pleased to announce the return of close friend, Real Life Rock \u0026amp; Roll aesthete and longtime purveyor of the Infinite Future, Blaine Todd. Todd breaks his silence with the expansive Every Road Is A Good Road, his third proper solo release and first to be pressed to vinyl. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTaking its title from a personal mantra that Blaine has relied upon through the years to mark his high points and weather the lows, Every Road Is A Good Road was written in a manic burst of creative energy over the course of a single week. It took him some time to finalize these songs in the form you see presented here, however. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn order to mold this collection of raw sketches into a cohesive statement, Blaine needed to sit with them and contextualize what it was that he was actually doing. Having grown accustomed to performing in a number of bands throughout the Bay Area, he suddenly found himself operating truly alone following a brief decampment to NYC. The album became something of a salve for this dearth of creative outlets in an unfamiliar city, as he sought to burn off the sway of external influences and refine his own inimitable voice. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile parts of the record were recorded alone at\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e home in both Manhattan and Alameda, California – or with friends and Full Spectrum compatriots in both Tivoli, NY and Littlefield, TX – Every Road Is A Good Road is perhaps defined by Blaine’s insistence on making this his first release largely produced in a ‘professional’ recording studio. Somehow, Todd managed to capture basic tracking for the entire album in just 24 hours. Afterwards, he felt fucked. Walking home from the subway at 8am the following morning, Blaine expected to experience some sense of accomplishment. Instead, he met the Brooklyn dawn in a fried and anxious state. You can feel this energy coming across in the loose, dragged vibe that carries through the album’s duration, drawing you deeper into Blaine’s dogged pursuit of raw self expression and ecstatic self discovery. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the end – Every Road Is A Good Road embodies a ragged, tired psalms for the exhausted cowboy that lives within each of us.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\n\u003c\/div\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841738678439,"sku":"DBL108","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1174915340_10.jpg?v=1641074395"},{"product_id":"mount-eerie-with-julie-doiron-lost-wisdom-pt-2-lp","title":"Mount Eerie With Julie Doiron – Lost Wisdom Pt. 2 LP","description":"\u003cspan data-mce-fragment=\"1\"\u003eEight songs written in early 2019 about devotion and release. Julie graciously came back to the northwest and recorded this kind-of-sequel to the Lost Wisdom from 11 years ago. This one goes deeper. We recorded with the doors wide open and between breaths you can hear birds, jackhammering in the distance, and on some songs night air.\u003c\/span\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841852809383,"sku":"ELV045","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/ELV045_300dpi_2048x2048_f8e5d56a-a982-4c7c-989b-2af3c811b9cf.jpg?v=1641076430"},{"product_id":"david-grubbs-ryley-walker-a-tap-on-the-shoulder-lp","title":"David Grubbs \u0026 Ryley Walker – A Tap On The Shoulder LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eYou never know when that tap’s going to come. How about now? (Not for you to decide.) Or exactly what it means—except in the aftermath.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMutual admiration society and David Grubbs and Ryley Walker had been taking notes on one another’s playing for some time before they hit the stage together on a couple of blistering occasions immediately pre-pandemic. (One of these live sets was released earlier this year as Fight or Flight Simulator on Café OTO’s Takuroku label.) \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStudio sessions were clearly in the cards, and the result is A Tap on the Shoulder, a collection of duo performances that veers from crystalline instrumental compositions (“A Tap on the Shoulder,” “Accepting Most Plans,” “Dorothy Kept”) to animated alien chatterfests (“Leslie Steinberger”), and from ecstatic extrapolations charging this way and that (“Pump Fake on the Death Rattle,” “The Madman from Massachusetts in an Empty Bar”) to, I don’t know, words don’t do the trick (“Uglification”). Don’t think for a second that these shorthand descriptions suffice. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eElectric guitars make electronic music. Ryley’s hellion musical fearlessness lights a fire under the more typically Apollonian, chess-masterly Grubbs. What’s good for the geezer is good for the, etc. And where the duo’s live performances thus far have been\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e set-length \u003cbr data-mce-fragment=\"1\"\u003ejuggernauts, A Tap on the Shoulder toggles effortlessly between microscope, telescope, and Cinemascope, letting the smallest of gestures land in all of its sonic specificity before opening the scene up to disorienting panoramas. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eListen to A Tap on the Shoulder in the context of Ryley’s glorious Course in Fable; listento it in the context of Grubbs’s playing with Loren Connors, Jim O’Rourke, Taku Unami, and others; or listen to it as if you’ve never heard note one from these soulful odd birds, the two of them curiously, quixotically committed to working inside and beyond song form.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vd0KbMRKJcY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841901732007,"sku":"HPR010","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0060946155_10.jpg?v=1641078597"},{"product_id":"father-murphy-origins-lp","title":"Father Murphy - Origins LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFather Murphy's path ended on December 17th 2018. We're proud to present exactly two years later an essential reissue for the first time on vinyl of the band's first two EPs now collected as 'Origins'. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e300 copies, limited edition of 75 pressed on red vinyl. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKnown for their furious live shows, something in between a ritual and an artistic performance, they released a series of concept albums based on expressing the sound of Catholic sense of Guilt. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn their early days though they were still diving deep into a psychedelic magma that was to somehow inform their future music. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Origins” collects their first two EP’s, recorded between 2002 and 2006: “When we were young the world wasn’t in your hands” and “I saw seven horns rising from the Sea, when a rooster sang for the third time”. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere is no better place to start discovering one of Europe's most unique bands. From the circular rhythmic patterns of 'We know who our enemies are', to the industrial lament of 'Stereo' and psychedelic acid folk of 'Butterflies \u0026amp; Bats' this is an incredibly intimate snapshot of an artist paving its own road built on nuance, perseverance and symbolism.\u003c\/span\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41841923948711,"sku":"IMP015","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0653942463_10.jpg?v=1641079525"},{"product_id":"loren-connors-david-grubbs-aborvitae-lp","title":"Loren Connors \u0026 David Grubbs - Aborvitae LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eThis is the first LP release on Loren Connors’ and David Grubbs’ Arborvitae, originally released on CD by the Swedish label Häpna in 2003. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLoren Connors and David Grubbs first performed as a duo on May 30, 2003 at the Green-Wood Cemetery Chapel in Brooklyn, N.Y. Green-Wood Cemetery is one of Brooklyn’s landmarks—it’s the highest natural point in the borough, and an unexpected expanse of tranquility in the midst of the city. The stone interior of the chapel makes the quietest of sounds audible, and Loren and David played a remarkably quiet yet extraordinarily varied hour of improvised music. Energized, they repaired to the studio to record Arborvitae. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt certainly could have happened earlier. David first heard Loren’s In Pittsburgh LP (St. Joan) in 1990, and felt it a revelation. Loren’s example of creating silences, of singing—with the guitar—in silences, was crucial to David’s shift from the rock trio Bastro to the often percussionless Gastr del Sol. David and Jim O’Rourke reissued In Pittsburgh several years later on their Dexter’s Cigar label, and Loren and Gastr del Sol performed a number of shows on the same bill, including the 1996 Table of the Elements Yttritum festival in Chicago. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArborvitae opens and closes with the pairing of David on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e piano and Loren on an electric guitar played so quietly that at times his pedal-stomping is wondrously distinct. “Blossom Time” and the title track positively float, with Loren alternating between soaring single-note lines and playing the rough, barnacled anchor to David’s relentless tide. David’s approach to the piano recalls his playing on Palace’s Arise Therefore and his own Banana Cabbage, Potato Lettuce, Onion Orange. Loren hypnotizes throughout. This is one of the rare instances up to this point in his career that he had recorded in a commercial studio, and his playing, time and again, rewards such a detailed recording. “The Ghost of Exquisite” and “Hemlock Path” are two slow-motion lockings of guitar horns. “The Highest Point in Brooklyn” isn’t the place to be in an electrical storm—but it rolled in all of a sudden and there we were, uncovered and open to the elements... \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“This studio meeting between avant garde guitarist Loren (Mazzacane) Connors and former Jim O´Rourke accomplice David Grubbs is a heaven blessed match. The music they make together is equally divinely inspired, although more small concert hall than full-on gospel choir. Recorded in June 2003 in Brooklyn, New York, Connors´s mournful, atmospherically drenched guitar rubs amiably against the side of Grubbs´s studied piano exercises in the opening Blossom Time.” At times, the drawn out process makes it feel as though a game of musical chess is in progress, with Connors and Grubbs carefully pondering each move in order to avoid creative checkmate. Grubbs also adds electric guitar to the session which, unlike Connors´s brooding spiderweb of sound harks back to the well spaced, sturdy chord changes that dominated the music of John Fahey during his final years. On “The Ghost of Exquisite,” a form of rock guitar can be heard echoing in the freezing mix, but for the most part Arborvitae slowly leaks into the higher church of contemporary classical in the lofty way it presents itself. Beautifully performed and recorded, this addictive music demands a rematch in the not too distant future.” \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEdwin Pouncey, The Wire\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e  \u003c\/em\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uEs3LEUVrv0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":41869478461607,"sku":"IMP023","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0228835909_10.jpg?v=1641921018"},{"product_id":"silver-godling-witness-unweave-lp","title":"Silver Godling - Witness, Unweave LP","description":"\u003cp\u003eSilver Godling is the solo project of New Orleans pianist \u0026amp; vocalist Emily McWilliams. Founded in 2014 for a festival performance, Emily has developed the project into its own vibrant entity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\nHowling Mine","brand":"The Business","offers":[{"title":"Default Title","offer_id":41869480394919,"sku":"SDR033","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a4251487635_10.jpg?v=1641921434"},{"product_id":"magik-markers-sic-alps-lp","title":"Magik Markers \/ Sic Alps LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eYik Yak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWest Coast tour split 12\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eSic Alps give up three tracks with help from Lars Finberg (Intelligence) and Ty Segall, the highlight being a great punched-in guitar solo from Matt Hartman that makes one song reminiscent of a \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eSafe As Milk\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e outtake. Markers show up with a 7ft bass player who throws the band into Guru Guru mode. \u003c\/span\u003e\u003c\/p\u003e","brand":"Yik Yak","offers":[{"title":"Default Title","offer_id":41929618325671,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/YIKYAK017LP_CU.jpg?v=1644482147"},{"product_id":"the-in-out-a-living-memorial-cd","title":"The In Out - A Living Memorial In Deutschland CD","description":"\u003cp\u003eUnder-heralded weird angular rock survivors from Massachusetts.\u003c\/p\u003e\n\u003cp\u003eCD on Dark Beloved Cloud\u003c\/p\u003e","brand":"Dark Beloved Cloud","offers":[{"title":"Default Title","offer_id":42339994566823,"sku":"DBC227","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/R-2418755-1396958615-3925.jpg?v=1653944888"},{"product_id":"jerk-with-a-bomb-the-old-noise-cd","title":"Jerk With A Bomb - The Old Noise CD","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cspan\u003eBefore they scaled mountaintops and colored them pink and black with newfound comrades in arms, East Vancouver’s Stephen\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\"\u003eMcBean and Josh Wells were a duo dodging men in uniform, running with thieves and committing acts of corporate sabotage in the streets of their crooked city. Future members of Black Mountain, Pink Mountaintops, Lightning Dust, Obliterations, \u0026amp; Destroyer. 1995-2003.\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\" data-mce-fragment=\"1\"\u003ePerformed by One Easy Skag and The Silo. \u003cbr data-mce-fragment=\"1\"\u003eRecorded and mixed by Colin Stewart at The Hive.\u003c\/div\u003e\n\u003ch3 class=\"license-label\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cdiv id=\"license\" class=\"info license\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":42339995254951,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0422463229_10.jpg?v=1650174513"},{"product_id":"dragging-an-ox-through-water-cd","title":"Dragging An Ox Through Water - The Tropics Of Phenomenon CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Late last year Awesome Vistas dropped an inconspicuous LP by Brian Mumford's Dragging An Ox Through Water. Chris Johanson, the Awesome Vistas label boss, has a policy of putting out super plush, limited vinyl with absolutely zero fanfare. Locally, Brian got nothing but enthusiastic press for his first LP, but it seemed like a lot of the rest of the world just didn't notice. It's always hard locating the stellar records these days in the heaps of shit that keep spewing from all corners of the globe. Still, Brian won a #2 most-slept-on release of 2008 for \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eFader\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e as well as being one of the top six Portland albums of 2008 in the \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003ePortland Mercury\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e placing him in league with a bunch of indie rock hotshots including Grouper, Au and a bunch of bands I've never, ever heard. Rewind back to my return to Portland in 2006, Brian was everywhere. He played noise shows, folk shows, punk shows, and at each gig, he managed to hold his own and gain a healthy chunk of converts. His music seems straight out of any and all conceivable American garages. On \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eThe Tropics Of Phenomenon\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e you'll catch a lot of junk acoustic coupled with a voice that seem to pull from Arthur Russell's country rock era, but also touches on Mayo Thompson's \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eCorky's Debt to His Father\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Many of the accompanying instruments on this album are home-built electronics that Mumford manages to bend to his will. Producing the chirping, sweeping oscillations and noises reminiscent of Nerve Net Noise or Ursula Bogner. I've seen Brian pull off impressive live acrobatics going from almost purely acoustic plunking to bent, ultra rough synth actions without missing a step. It's this confusion of ultra-pop sensibilities while simultaneously grappling with electronic x-factors and turning them musical that inspired me to approach him about working together. In the Ox sound-world, the noise is a musical element and the very driving force of Brian's songs. The guitar can be dropped, the melody lost to hover in the chaotic chirping of electronic creatures that is some how in tune and time with whatever he was doing on guitar. His sets can be all acoustic, or all electronic. Grouper, New Bloods, and Pulse Emitter are all artists he's managed to play with locally and totally OWN the most orthodox crowds. 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Thanks, Duncan for lending me the bass. Jeremy Goody mixed it in Oakland, Calif., and Josh Stevenson mastered it in Vancouver, BC. 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This halcyon collection of tracks draws on a wider palette of sounds, adding strings and piano, to dive deeper into the sound bath of Johnson’s meditative music. \u003c\/p\u003e\n\u003cp class=\"font_8\" data-mce-fragment=\"1\"\u003eThe Cinder Grove is a profound, affecting statement on the nature of loss and irreplaceability as well as a major addition to the canon of Johnson’s work. It's a suite of requiems for lost places. Many of the spaces that once fostered affordable living and creative work now only exist in sonic memory, like the echoes of ghosts. Like much of the California landscape in recent years, some of these spaces having succumbed to fire. Others, to the equally inexorable forces of gentrification. While his 2017 LP Balsams was intended to provide the listener with a space for respite and calm—even healing—The Cinder Grove seeks to remember what has been lost while celebrating the resilience of the human spirit and the natural world. \u003c\/p\u003e\n\u003cp class=\"font_8\" data-mce-fragment=\"1\"\u003eIn making The Cinder Grove, Johnson dug through archival recordings from Oakland DIY performance spaces to digitally extract their reverb and echo qualities. He then applied these effects—as well as the digitally modeled reverberation of a redwood forest—to the tracks on The Cinder Grove, allowing the pieces to bask in the lush virtual spaces, and in the process realized that these sonic re-constructions can only ever be approximations. 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Ideas of Beginnings is another highlight from this iconic 21st Century guitarist.\u003c\/span\u003e","brand":"VDSQ","offers":[{"title":"Default Title","offer_id":42494620434599,"sku":"VDSQ-019","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/VDSQ019LP_CU.jpg?v=1654411257"},{"product_id":"the-acharis-lost-in-the-vortex-lp","title":"The Acharis - Lost in the Vortex LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e”Lost in the Vortex” is the 2017 debut album from Oakland California artists The Acharis. Released on 12” vinyl from EXBTN Records (Paris) and cassette from Goth Horse Records (Oakland). \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Hauntingly beautiful\" \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- New Noise \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"Mille mondes du lo-fi choral électrique et hurlé à la mort\" \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- Records Are Better Than People \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Idle Bells\u003c\/p\u003e\n\u003cp\u003eA2 Lost in the Vortex\u003c\/p\u003e\n\u003cp\u003eA3 Best Wishes For Bored Nation\u003c\/p\u003e\n\u003cp\u003eB1 Powers\u003c\/p\u003e\n\u003cp\u003eB2 No Place For Love\u003c\/p\u003e\n\u003cp\u003eB3 A Room With A View\u003c\/p\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":42495995871399,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0587588625_10.jpg?v=1654457946"},{"product_id":"cass-mccombs-heartmind-cassette","title":"Cass McCombs - Heartmind cassette","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn \u003ci data-mce-fragment=\"1\"\u003eHeartmind\u003c\/i\u003e, \u003ca href=\"https:\/\/orindal.limitedrun.com\/artists\/cassmccombs\/\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/orindal.limitedrun.com\/artists\/cassmccombs\/\"\u003eCass McCombs\u003c\/a\u003e enters the double-digit-album phase of his career, a quantitatively rarified place for any songwriter; rarer still, though, is the fact that he does not yet seem to have settled into a qualitative sound or pattern, of singing the same thought twice (or perhaps even once). Songs like “Karaoke” are a god-level burst of power-pop perfection, as fetching as anything Cass has ever cut. The springy staccato guitar, the vaporized electric keys, the melody seemingly born for singing or clapping or dancing along: Cass triangulates a perch of his very own out among The Go-Betweens, The dB’s, and The Cure, and vibrates there, a beacon. And then, of course, there is the song’s playful if painful lyrical conceit—the lover who is making all the sacred motions of commitment but whose feelings may be no more deep or real than someone simply reading the lyrics for “Vision of Love” or “Stand by Your Man” from some crowded bar’s TV screen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere are, at least, some basic facts to share about \u003ci data-mce-fragment=\"1\"\u003eHeartmind\u003c\/i\u003e, logistical evidence that may in turn shape your own questions: Cass recorded these songs in multiple sessions on both coasts, in Brooklyn and Burbank. The great Shahzad Ismaily not only cut the staggering “Unproud Warrior” and four others here but also played lots of bass. Buddy Ross tracked “New Earth,” a paean of post-humanity renewal with several sharp wisecracks. Ariel Rechtshaid—now a dozen years into his collaboration with Cass, which began with 2009’s \u003ci data-mce-fragment=\"1\"\u003eCatacombs\u003c\/i\u003e—captured Cass’ scintillating guitars on “Belong to Heaven,” a thoughtful consideration of what we all lose when we lose an old friend to the inevitable end. The steadfast Rob Schnapf (who previously produced McCombs’ ANTI- debut, \u003ci data-mce-fragment=\"1\"\u003eMangy Love\u003c\/i\u003e) mixed and merged it all. Wynonna Judd (yes, that one) offers harmonies, while her beau Cactus Moser provides some lap steel. Joe Russo, Kassa Overall, Danielle Haim, Nestor Gomez are featured on the album, too. —Grayson Haver Currin\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Orindal","offers":[{"title":"Default Title","offer_id":42684839919783,"sku":"ORD067","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a4174315009_10.jpg?v=1661116492"},{"product_id":"lori-goldston-film-scores-lp","title":"Lori Goldston - Film Scores LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLori Goldston is an American cellist. She was the touring cellist for Nirvana (1993-94) and appears on their live album MTV Unplugged in New York. She is a member of Earth, the Black Cat Orchestra, and Spectratone International.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer debut album is focused on various film scores from\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCarl Theodor Dreyer\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe Passion of Joan of Arc (1928)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eYasujiro Ozu\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePassing Fancy (1933)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLinas Phillips\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eBass Ackwards (2010)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBritta Johnson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCrashing Waves (2010)\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVanessa Renwick\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eCharismatic Megafauna (2011) \/ Mighty Tacoma (2011)\u003cbr data-mce-fragment=\"1\"\u003eFeaturing appearences by\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDylan Carlson\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(Earth),\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTara Jane ONeil\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(King Cobra, Retsin)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eClassically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eLORI GOLDSTON (cello + amplified cello)\u003cbr\u003eTARA JANE ONEIL (electric guitar)\u003cbr\u003eDYLAN CARLSON (electric guitar)\u003cbr\u003eGREG CAMPBELL (percussion)\u003cbr\u003eJESSIKA KENNEY (voice)\u003cbr\u003ePHILIP GELB (shakuhachi)\u003cbr\u003eISAAC HANSON (grass skirt)\u003cbr\u003eKYLE HANSON (accordion)\u003cbr\u003eSTUART DEMPSTER (trombone + voice)\u003cbr\u003eSUSIE KOZAWA (foley + voice)\u003cbr\u003eKANAKO POOKNYW (harmonium + voice)\u003c\/p\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":42689642987687,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a0371942694_10.jpg?v=1661282055"},{"product_id":"my-estrogeneration-lp","title":"My Estrogeneration LP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst ever NNF vinyl compilation. 11 diverse femme musical energies corralled across 12 inches of black vinyl, all exclusive contributions, and the breadth of zones and interzones traversed is a beautiful thing to hear. Carry on my wayward non-sons. LPs in jackets with artwork by Pocahaunted bassist\/scholar Diva Dompe, plus a full-color double-sided insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 500. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEstrogeneration includes: Zola Jesus, Tickley Feather, Pocahaunted (vintage unused track from \u003c\/span\u003e\u003cu data-mce-fragment=\"1\"\u003eGold Miner's Daughters\u003c\/u\u003e\u003cspan data-mce-fragment=\"1\"\u003e sessions), Inca Ore, Topaz Rags, HNY, Talk Normal, Islaja (featuring Samara Lubelski and Blevin Blectum), L.A. 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Remastered from the original tapes for its twenty-fifth anniversary, this hidden gem is reissued with previously unseen photos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eALBUM CREDITS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKevin Coultas - drums, recorded by, all instruments on Linda Jo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSamara Lubelski - violin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTara Jane O'Neil - guitars, bass, vocal, organ on Baby Come Home\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewith\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNoel Hawley - cello on Linda Jo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTodd Hildreth - organ on Cloister\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNora Christensen - accordion on Weak Kneed and Baby Come Home\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":43034470449319,"sku":"hpr020","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a1946121762_10.jpg?v=1673755394"},{"product_id":"table-sugar-introductory-material-lp","title":"Table Sugar - Introductory Material LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIntroductory Material is the debut recording by Olympia art-punk four-piece TABLE SUGAR. Recommended for obsessive fans of The Slits, The Raincoats, Grass Widow and Bush Tetras. \"The band’s mindset with putting songs together is about throwing everything at the wall to see what sticks. The music, as a result, is blanketed in chaotic discordance, a wild, vaguely confrontational jumble of jagged chords and shouted vocals. Comprising of PASCAL LUTHER (guitar and vocals), ELLA SVETE (guitar and vocals), AIDAN MCNELLIS (bass) and BRYN ACKLEY (drums), Table Sugar began on a whim after 3\/4 of their members met in art class at The Evergreen State College. That early 'let’s start a band!' enthusiasm translates to their songwriting.”—Adam McKinney, Oly Arts. Limited to 500 copies.\u003c\/span\u003e","brand":"Revolver","offers":[{"title":"Default Title","offer_id":43173598822567,"sku":"WW 25","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a3304414661_10.jpg?v=1676679285"},{"product_id":"cindy-1-2-lp","title":"Cindy - 1:2 LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\"Karina Gill. She became a musician only recently, having sat on the sidelines while ex-partners and friends made their stabs at it. Gill describes a chance encounter with an abandoned Squire Strat left in the basement by a previous tenant, “mummified in electrical tape with the remnants of a burrito on the head stock”, that led her to begin carefully strumming her way through simple chords and making her own songs. After one interesting self-released LP, still finding their footing, the band made the masterful and buzzed-about Free Advice, which went from a limited cassette on local SF label Paisley Shirt to vinyl pressings on Tough Love (UK) and Mt St Mtn (USA).\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eCindy’s third LP arrives in quick succession, the quietly devastating 1:2. Jesse Jackson on bass, Simon Phillips on drums and Aaron Diko on keyboards weave the perfectly thin web behind Gill’s slow Velvety strums and murmured melodies. The rhythm section brings the crude flow, while the keys add subtle and surreal counterpoint to the withering world Gill depicts in her lyrics. “Songs tie together seemingly disparate things by the logic of mood,” Gill tries to explain. This isn’t dream-pop sunshine bliss; half-closed black drapes hang on the window where the narrator stares into the middle distance. “Sometimes you say you’re feeling small\/You plan all day for your own funeral”, she intones in Party Store. Gill has a way of halting her phrasing that makes it feel like her thoughts are gently tumbling into the abyss. It’s this unsettling quality mixed with the hazy atmosphere that makes Cindy’s new LP 100% addicting and the perfect antidote to comfort listening.\"\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- \u003cem data-mce-fragment=\"1\"\u003eGlenn Donaldson, 2021\u003c\/em\u003e\u003c\/p\u003e","brand":"Mt. St. Mountain","offers":[{"title":"Default Title","offer_id":43191067213991,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/products\/a2724285656_10.jpg?v=1677288947"},{"product_id":"nuzzle-no-love-like-that-stanford-sessions-1997-lp","title":"Nuzzle - No Love Like That: Stanford Sessions 1997 LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eReleased on Solid Brass records\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eOriginally recorded for a shortly lived Sub Pop subsidiary, these previously unreleased recordings became the stuff of lore for fans of 90s west coast indie music. Essentially a demo and precursor to Nuzzle’s 1999 LP \"San Lorenzo’s Blues\", these tracks are more raw, energetic, and representative of Nuzzle’s live shows. Newly remixed and mastered, \"No Love Like That: Stanford Sessions 1997\", is quintessential Nuzzle at their pinnacle.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eincludes liner notes by George Chen\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cbr\u003eRecorded by Andy Radin in May 1997 at Stanford University\/CCRMA (Center for Computer Research in Music and Acoustics) \u003cbr\u003e\u003cbr\u003eTransferred from DA-88s to Audio by Dan Johnson, Audio Archiving Burbank, CA, May 2022 \u003cbr\u003e\u003cbr\u003eMixed by Liam Nelson, August 2022 \u003cbr\u003e\u003cbr\u003eMastered by Dave Gardner at Infrasonic Mastering Los Angeles, September 2022\u003c\/div\u003e","brand":"Solid Brass","offers":[{"title":"Default Title","offer_id":43300455973031,"sku":"","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/a3632565431_10.jpg?v=1685713888"},{"product_id":"alan-licht-john-krausbauer-7","title":"Alan Licht \u0026 John Krausbauer 7\"","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlan Licht (electric guitar) and John Krausbauer (amplified violin\/oscillators) have created two compositions on their new 7” that seemingly reside on opposite ends of the experimental\/free-noise spectrum. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuperstizione (Italian for \"superstition\") is a maximalist free-noise blast, seemingly chaotic, but with an intentional forward movement and flow. Licht's guitar playing starts off with a low end, thick fuzz, but quickly moves to an over-blown, frenetic pattern, all while Krausbauer's amplified violin proves the instrument can fit, and compete comfortably, in the mix of wild amp’d riffage. You can try to discern the notes, examine the interplay, or you can just let yourself be enveloped by the combined waterfall of tones and power. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn the other side of the coin (and record), Lateral Tracer utilizes guitar (Licht) and oscillators (Krausbauer) to create drones and moiré-like patterns with interweaving signals, which elicits difference tones and interference beats, mesmerizing the listener with a soothing heartbeat. Similar to the use of the contrasting red and blue in the cover artwork, creating a chromostereopsis effect, the two sources of sound trade places back and forth, per the listener's focus, one sound (or color) retreating, while the other advances, and\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e vice-versa. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Krausbauer is an American composer\/musician, artist, writer, refusenik. He has performed his music and presented his A\/V work in N America, Europe, Japan, and New Zealand. Additionally he has released around 30 recordings in solo, duo, and group contexts and will soon have his recent writings published by Witchhammer Press (NZ). \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlan Licht is a musician and writer based in New York City. He is equally known for his guitar work in the underground rock bands Run On and Love Child and in the experimental groups the Blue Humans and Text of Light. He has released eight solo guitar albums and more than a dozen duo and trio records of improvised music. Licht is the author of Common Tones: Selected interviews with artists and musicians 1995-2020 (Blank Forms) and Sound Art Revisited (Bloomsbury).\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 363\u003c\/p\u003e","brand":"Krausbauer","offers":[{"title":"Default Title","offer_id":43372576964775,"sku":"CR265","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/a3565063555_10.jpg?v=1687629366"},{"product_id":"zola-jesus-arkhon-lp","title":"Zola Jesus - Arkhon LP","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere is a way a voice can cut through the fascia of reality, cleaving through habit into the raw nerve of experience. Nika Roza Danilova, the singer, songwriter, and producer who since 2009 has released music as Zola Jesus, wields a voice that does that. When you hear it, it is like you are being summoned to a place that’s already wrapped inside you but obscured from conscious experience. This place has been buried because it tends to hold pain, but it’s also a gift, because once it’s opened, once you’re inside of it, it can show you the truth. Zola Jesus’s new album, Arkhon, finds new ways of loosing this submerged, stalled pain. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn previous albums, Danilova had largely played the role of auteur, meticulously crafting every aspect of Zola Jesus’s sound and look. This time, she realized that her habitual need for control was sealing her out of her art. Arkhon sees Zola Jesus’s first collaboration with producer Randall Dunn (Sunn O))), Earth, Mandy soundtrack, Candyman soundtrack) and with drummer and percussionist Matt Chamberlain, whose prior work appears on albums by Fiona Apple, Bob Dylan, and David Bowie. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArkhon runs the spectrum from songs whose weight lies in their bare simplicity, like “Desire,” an elegiac piano composition about the end of a relationship that was recorded acoustically in a single take, to towering, groove-oriented tracks like “The Fall” and the tight, interlocking percussion and samples of a Slovenian folk choir in “Lost,” which propel narratives of collective despair and mutual comfort in kind. Through these turns, Arkhon reveals itself as an album whose power derives from abandon. Both its turmoils and its pleasures take root in the body, letting individual consciousness dissolve into the thick of the beat.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDespite the darkness curled inside reality, there is power, too, in surrendering to what can’t be pinned down, to the wild unfurling of the world in all its unforeseeable motion. That letting go is the crux of Arkhon, which marks a new way of moving and making for Zola Jesus.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTrack Listing: \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. Lost\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e02. The Fall\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e03. Undertow\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e04. Into the Wild\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e05. Dead and Gone\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e06. Sewn\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e07. Desire\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e08. Fault\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e09. Efemra\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e10. Do That Anymore\u003c\/span\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e300 COPIES ON BLACK \u0026amp; RED FOG VINYL\u003c\/h6\u003e","brand":"Deathwish","offers":[{"title":"Default Title","offer_id":43384557469863,"sku":"SBR297v","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/zolajesus-Arkhon-cover_2000x_e5bd48bc-e1c2-4a82-bcdb-4579ddeaa061.jpg?v=1688778024"},{"product_id":"microphones-in-2020","title":"Microphones in 2020 2LP","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Microphones album consisting of one long song.\u003c\/span\u003e","brand":"The Business","offers":[{"title":"Default Title","offer_id":43392918585511,"sku":"ELV046","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/7918\/8135\/files\/a2994745420_10.jpg?v=1689568683"}],"url":"https:\/\/www.zumonline.com\/collections\/classic-indie-rock.oembed?page=7","provider":"Zum","version":"1.0","type":"link"}