Death Cab for Cutie
by Trevor Johnson and Kris Adamo

We had the pleasure of meeting up with Death Cab for Cutie on November 3rd at the Glass House in Pomona. They were on tour with Pedro The Lion and had just released a new e.p. on Barsuk Records called "Forbidden Love" that has three new songs and two modified songs from their last album, We Have The Facts and We're Voting Yes. We sat down with Ben Gibbard (vocals/guitar), Nick Harmer (bass), and Michael Schorr (drums) for a casual meeting of the minds before their set.
Where did the name Death Cab For
Cutie come from?
Ben: The name was a song by a band in the Sixties
called The Bonzo Dog Band. It was in The Beatles' "Magical Mystery Tour" movie
and we just decided to use it as a band name.
We heard that you (Ben) did the
vocals for a track on the new Harvey Danger album. How do you know
them?
B: Oh, we've known those guys for the last couple of years.
They had gotten a tape of us somehow and we just became friends and started
hanging out. They just said, "Hey, you want to come sing on a couple of tracks
for our new album?" and I sang on a couple and my girlfriend sang on a couple
that were cut from the album, actually. Yeah, it was fun.
They gave us our
first show in Seattle. We were living in Bellingham at the time. That's like an
hour and a half north of Seattle, it's a college town. So yeah, it was weird--we
met them, then the next month the "Flagpole Sitta" song just started blowing up.
It was kind of strange. It was very interesting to have friends going through
that one-song-big-hit kind of major label thing, to see from an inside
perspective how it's not all it's cracked up to be. Those guys are great,
they're still really good friends of ours.
How did the fans that came for them
react to you guys playing? Were they cool?
B: Not really, they
were there just there to hear one song. People who listen to large KROQ-type
stations don't really care about bands or albums or careers, they just listen to
the songs they hear on the radio. So it was pretty much about 400 people every
night who really couldn't give a shit that we were even there. I mean, we sold
some stuff, but for the most part, people would come and hear "Flagpole Sitta"
then half of them would leave.
So you guys wouldn't want to be
played on stations like that, KROQ and the like?
B: I don't know,
I don't really think there's a place for us on stations like that. I mean, if
the question is "Do we want a big hit single?" then the answer would be no.
Given the climate of today's music industry, as far as major labels go, it's
just not very conducive to building a career. So there's no point for us to try,
it's not really something we aspire to. If it were to happen, it would happen.
But it's not anything that we think is going to happen or necessarily would hope
to happen.
Is your first tour with Pedro The
Lion?
B: Actually it is. We've been friends with those guys for a
couple of years, our first albums came out pretty much the same
time.
Nick: We've played with them a number of times.
B:
Yeah, we've played a whole bunch of times, and tried to do a couple of tours,
but for whatever reason it hasn't worked out. So this is the first actual tour
that we've been on with them all the way.
How old were you guys when you first
started getting into music, was it in high school or...?
N: Oh, as
long as I can remember I've always been around music. I don't think I was really
musically inclined, but I've always been a fan of music ever since I was a
little kid. I never realized I could actually make music or play music until
about second grade when I started taking piano lessons, and I started figuring
out that if you put your fingers in this certain way on this machine it makes
this certain sound, and then you start piecing it together from there. Then I
was in band class in my elementary and junior high school, I played clarinet
then guitar for awhile, so it kind of just built on itself. Then it just seemed
like a logical step, when you're hanging out in the small boring town where I
grew up there wasn't really anything to do, so it was just something we ended up
doing to kill time. Playing with friends and making bands, from there on it
goes.
Did your parents approve of this
whole being in a band thing, professionally?
N: My mom does, she's
a super big supporter. My dad, he understands what I'm doing. I think he wishes
that I was doing something else but he also realizes that I'm my own person and
I can make my own decisions. We get in an awful lot of conversations about, "You
went to college for four years, so you play in a rock band, are you going to do
this for the rest of your life? How are you going to support a family?", and
those kinds of things.
B: All our parents have been really supportive.
My parents put me in school and I studied Environmental Chemistry for four years
and I came out with a baccalaureates. Now I just goof around and be an idiot all
day long, making music. But they were totally, really supportive. It's nice to
have your parents backing up what you're doing. And on some levels they still
pay for us and really help us out when we're in a jam.
We heard that after this tour you're
going to go back in the studio sometime next year to record a new
album.
B: The idea is to start recording in May or June,
springtime.
N: We're shooting for October (for the release).
Do you have a lot of new
material?
B: I have a bunch of material that I've written, out of
the seven or eight odd songs that I've put together over the last year or so.
We've been starting to work on arranging and changing some songs that are going
to be on the new album, but it's all very much like a bunch of pieces sitting on
4-track tapes that haven't been worked on yet. We brought a couple of new songs
on the road with us, to test them out.
Where do you get all your
inspiration for writing songs? Does it just come to you, or do you sit down and
think, "I'm going to write a song?"
B: I'm not a really prolific
songwriter. I don't sit at home and write ten songs everyday. I'm lucky if I can
write a song a month that I really like, but I just don't really push it. I
doodle on guitar and eventually I'll get something I like and start putting
something together and start writing lyrics depending on whatever I feel is
appropriate for the song.
People have been talking about what
the song "Bend To Squares" is about, and there have been so many different
interpretations. What does it really mean?
B: Actually, I kind of
piece-mealed the song together when I was writing lyrics. I was reading a review
of what, at the time, was the new Frank Sinatra biography, and it was talking
about how much alcohol he drank. I haven't read the book, but that's what the
review was saying. How he was always drunk all the time, like, "yeah I was
hanging out with this guy and I drank a fifth." So I was reading the review, and
doing laundry at the laundromat. So while reading this review I just started
making a character based off of what that review was saying. It's not a very
focused song, really.
N: There was a time when we were trying out new
drummers and we had this guy come in and he sat down and went, "There's that
song "Bend To Squares" I'm really curious about it.You mention every number
except the number four in it. I'm wondering if that was a conscious effort?" And
we're just looking at him like, "What the fuck is wrong with you? You've
listened to the song that many times and figured that little pattern out?" It
was just kind of funny that he had actually tried to figure out that Ben had
written out this super secret thing. It's just a really random thing, the
song.
B: I like just taking little instances at a time and making
little characters out of them, or embellishing a lot further than they probably
should be embellished.
N: I think those are better kinds of lyrics. I
like that in bands I listen to. I mean, straight-ahead narrative lyrics like, "I
went for a walk tonii-ight, down the streeet"-- it's obvious exactly what he's
doing. Those kinds of lyrical deliveries don't leave a lot of room for
interpretation and I think for better or for worse, interpretation is always a
good thing. It allows people to find their own connection to a song.
So tonight will you be playing more
songs from Something About Airplanes or We Have The Facts And Are
Voting Yes or other stuff?
B: I think tonight we're only
playing two songs from Something About Airplanes and two songs from the
new e.p., a couple of brand new songs and then four or five off of Facts.
Are you going to play the new
version of "Company Calls Epilogue" that's on the e.p. or are you going to play
the regular version, if at all?
B: Not tonight, but the alternate
version was just, like, when we were recording the album, by the time it got to
the time to record the song, we didn't have access to a drum set, it was too
loud for the neighborhood. So we used just a lot of weird things, some
ridiculous setup we had; like a snare drum on a keyboard, playing a high-hat
from another track and a kick drum from something else, it was just really
piece-mealed. I think we all like the way it sounds, but at the time it just
didn't fit on the album. It's not totally different--the sounds are different
and the production is different, but it's still the same song. But when we
finished recording, we decided it just didn't fit on the album, so we had our
old drummer come in and we re-recorded it.
You've been with the Barsuk label
nearly the whole time you've been recording. Do you really care about what
record label you play for? Does it matter to you?
B: In a way I
think it does. The first CD was going to be on Elsinore but Barsuk had a bit
more resources to add to the pot of money, so it was co-released. It wasn't
expected to do very well, but then it started selling fairly well, and we had to
repress it and crap.
Okay, well, we have some random
questions that people have wanted us to ask you. First up, what are your middle
names?
B: I just have an initial, "D." (He took out his driver's
license and showed us) My grandpa gave my dad the initial "D" in his name too,
and now it's turned into a kind of family tradition.
N: My middle name
is Scott. Chris's middle name is Ryan. (Chris Walla, guitar/backing
vocals/organ) And Michael's is...
Michael: Allen.
What did you do for
Halloween?
B: I didn't do anything this year, and Halloween is
like my holiday. Out of all the holidays, that's the one I get excited
about, and we were leaving to go to San Diego the next morning this year, so we
couldn't really do anything because we had to wake up at five in the morning.
The year before, two of our best friends got married on Halloween because that
was the only time they could reserve the chapel, so it's been kind of wrecked
the last few years.
N: I read the Martha Stewart Halloween magazine
and there were some great makeup ideas in there for mummies and vampires and
stuff. I really wanted to try a few of them out, but we had to leave the next
morning so we just watched a movie that night. I gave out some candy to
trick-or-treaters--a lot of great costumes this year.
M: I made
dinner, had a bottle of wine, then listened to The Sea and Cake. A very good
Halloween this year.
Have you seen the new Halloween
episode of "The Simpsons?" There's a new episode this year.
N: I
know I know, don't even get us started on "The Simpsons."
M: We were
somewhere between San Francisco and Bakersfield.
Were you good looking
babies?
N: No, I was really fat.
B: I was a really,
really good looking kid. No, I'm serious, I was a model in Japan. Time has
ravaged my once youthful good looks. I actually have magazines, Japanese
magazines, with me modeling these little outfits with little shorts and a tiny
bow tie. I actually have one ad, and at the time of the shoot I had measles, so
I was just miserable, my face was bright red, and I was crying. So here we are,
doing this ad, and in the picture there's me just giving this horrible look. I'm
crying and looking nasty in my little outfit, then next to me are all these
other Americans giving these smooth looks and posing just right, looking really
suave, and I was just screaming and making this horrible, horrible face. So, I
was a great looking baby, I was.
M: I had really red hair, if that
means anything.
Do you guys get all psyched up
before playing a show or do you just walk out there ready to play? Do you still
get nervous before playing?
N: I don't know, I think it really
depends on the situation... there's always a little bit of butterflies, but it's
become pretty routine.
B: I get nervous sometimes but it's not that
bad.
M: A lot of the times I panic right before a song because I can't
remember how to play it. Ben will say "Okay, this song is..." y'know, whatever,
and I can't remember, not even a single part of the song. And then, like a
second before we start it all comes back to me and I'm like "Oh yeah!" and
launch right into it.
Do any of you happen to like Jello
pudding snacks?
B: I'm vegan, so no.
N: I love Jello.
Jello is a great substance. Ben's kind of hindered it for me over the years
though, because now when I eat it I think, "I'm eating horse hooves," so I just
don't get the full enjoyment of it anymore.
Ben, how long have you been
vegan?
B: For a long time now...since '95.
Do you miss
anything?
B: No, not at all. I mean, at first it was pretty hard,
but after awhile, I just got used to it and now it's not a problem.
N:
But Barbecues still smell good when you're walking by, I bet.
B: Yeah,
of course, I'm not gonna deny that.
Kris Adamo is in high school.
She's the best damn vegan track star in the world.
Jess Hugar is a student photographer
who is working towards a degree in Communications. Check out her website for more
pictures.
Last updated October 8, 2003. [ edit this page ]

